Ominous, masterfully conceived psychological fiction.
De Voe’s short story collection features characters in devilish conundrums.
The short fiction collected here offers a series of themes and plot twists that are delightfully odd, unexpected, and borderline macabre. In the subtly effective opener, “Shutter,” a protective ghost perched in a tree observes the park bench interactions between a young struggling female actor and an elder with menacingly predatory intentions. “Tastemakers,” with its embedded satire of artistic communities, depicts grisly performance art set in a museum where crowdsourcing-funded artists synchronize their suicides while “the spectators all gasp.” The theme of family recurs frequently; an old witch in “The Scissors of Hope and Despair” may or may not have dementia, like her cocky granddaughter believes, but a strategic and revealing game of chess offers proof positive. One of the book’s longer tales, “Mom of the Year,” also touches on family bonds when an outspoken, award-winning mother of six has her standards challenged during a live reality TV talk show. The Brooklyn mother featured in “Left Brain” struggles with raising a young son stricken with a condition that limits his communication to numbers. Increasingly panicked, she fears that “his right brain was slowly eating his left brain like a psychopathic sibling jealously encroaching on shared space.” The sheer number of revolving narrators distinguishes “A Rose” from the rest of the collection, with De Voe exercising her creative muscles in this fairy tale gone awry. Closing out the collection is the shortest entry, the bravura “Virgin Flight 244, Chicago to Heathrow,” which, with great economy, manages to convey the horror of a wife giving birth to a demon child while seated in trans-Atlantic coach seats with her husband. As the new dad deals with the devil spawn and its hemorrhaging mother, De Voe’s disarming talents are on full display. Each story demonstrates De Voe’s gift for creating characters and scenarios that are just off the beaten path. Fans of The Twilight Zoneare certain to be mesmerized by this eerie anthology, filled with surreal wonder, sinister scenes, and a cast of eerily memorable characters.
Ominous, masterfully conceived psychological fiction.Pub Date: April 10, 2023
ISBN: 979-8987926901
Page Count: 253
Publisher: Borda Books
Review Posted Online: Nov. 3, 2023
Review Program: Kirkus Indie
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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