A pleasing cross-genre novel.
A novel that mixes Scottish history, an ancient curse, and a hint of romance.
After her fiance breaks up with her via text, Aubrey Cumming finds herself at a loss. After all, she moved from Pennsylvania to the town of Harrington, New Jersey, for him. After a pity party with two of her friends, she returns to work at her bookstore job. There, her Scottish boss, Angus MacKintosh, offers her a trip to Scotland to visit the land of her ancestors and get over her ex. Her boss even found her a place to stay for free, with just one catch—she’ll have to find a way to break a curse placed on the MacKintosh family back in 1442: “none shall be loved truly, but always in vain.” To break it, a Cumming must fall in love with a MacKintosh. In Scotland, Aubrey takes her time enjoying life as a tourist, but it isn’t long before she meets two strapping Scottish gentlemen, Finn Cameron and Connor MacConnach. But in the wake of Brexit, Scotland is still fighting for its independence from the United Kingdom, and the Caledonia First campaign has powerful enemies as well as a traitor in their midst. Author MacKinnon (Whiskey Dreams, 2018, etc.) offers a little something for everyone in this novel, including a love triangle, supernatural elements, political intrigue, dramatic history, and beautiful scenery in a truly epic tale. Aubrey’s time in Scotland is broken up by glimpses of the past, which show how the family curse came about. The well-developed main characters are backed up by a host of entertaining and lovable secondary players. It’s clear the author did her research about the country, history, and landscape, which may cause some readers to do further research, if not book tours of their own. This novel is also highly recommended for fans of Diana Gabaldon’s Outlander series, as its fans will find many hidden and not-so-hidden references to it in the text.
A pleasing cross-genre novel.Pub Date: March 25, 2019
ISBN: 978-1-73383-840-5
Page Count: 356
Publisher: DartFrog Books
Review Posted Online: April 15, 2019
Kirkus Reviews Issue: June 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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