An enjoyable, solidly paced escape.
The sound of bagpipes ushers in MacKinnon’s (The Comyn’s Curse, 2019) latest mystery, which features murder, drugs, centuries-old castles, romance—and a couple of ghosts.
The second volume in MacKinnon’s Highlands Spirits Series reconnects most of the cast from the opener. Detective Kate Bianchi of the Harrington, New Jersey, police force has just been assigned to a prestigious new task force investigating the rapid spread of a dangerous new hallucinogen called “Reign” (or “Regicide” in Europe). The drug is apparently being imported from somewhere in the Scottish Highlands. However, before Kate begins working on the case, she learns that her husband, Eddie, has died in a construction accident. She’s distraught and unfocused and put on temporary leave. Aubrey, one of Kate’s best friends, is now living in Scotland and engaged to Fionnlagh “Finn” Cameron, a history professor, part-time guide, and bagpipe enthusiast. Kate takes up residence at Aubrey’s friend Nessie’s rooming house in Inverness. In the same city, at her friend Angus’ bookshop, she meets the handsome, albeit scowling, Detective Investigator Jack MacDonald of the Scottish national police force, which is also working on the Reign enigma. Much to his consternation, Kate is added to his investigative team. So the adventure begins, mixing danger with an engaging lesson in Scottish history and culture—including a unique, running tutorial on bagpipes. When Aubrey, Finn, and Kate check out Dunebrae Castle as a possible honeymoon destination, the past and the present begin to intertwine—in ghostly fashion. The author effectively intersperses a mournful love story from 1644 with the suspenseful events of the current investigation. Along the way, MacKinnon drops perhaps a few too many breadcrumbs, and, as a result, readers are unlikely to be shocked when the villain is revealed. However, the author sufficiently keeps up the tension and the narrative pace, throwing in a few intriguing twists to keep the plot engaging. The text is also peppered with Scottish phrases (a glossary is included), and this adds to the charm of the characters and the atmospheric location.
An enjoyable, solidly paced escape.Pub Date: Nov. 1, 2019
ISBN: 978-1-951490-08-9
Page Count: 344
Publisher: DartFrog Books
Review Posted Online: Feb. 7, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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