by M. Paul Sinclair ‧ RELEASE DATE: April 2, 2018
A biography with some illuminating moments, but which often lacks thoughtfulness.
An impassioned challenge to the career and activism of the Rev. Al Sharpton.
Debut author Sinclair, a native Jamaican who was raised in New York City, makes clear in his book’s title that it isn’t a detached biography of a prominent African-American leader. He seems driven by a desire to tell black Americans that Sharpton is a “charlatan” who’s amassed vast personal wealth on “the commoditization and monetization of racial oppression.” He characterizes it as an activism-for-profit model, which he says has been imitated by a slew of others. This, he asserts, is dangerous for the black community, as it offers a perverse disincentive to actually alleviate the plight of African-Americans. Sharpton very publically embraces protests on behalf of black communities, especially in the media. However, the author posits that one would never find Sharpton working outside of the spotlight—behind closed doors, lobbying politicians and businessmen who could bring about real change. According to Sinclair, the reverend’s private life stands in sharp contrast to his public activism; at various times in Sharpton’s career, the author asserts, he personally profited as a pitchman for white-owned companies, including a predatory financial institution that targeted African-Americans; he sabotaged the careers of black leaders and politicians who might have challenged his status; he took money from conservative Republicans in his 2004 presidential bid; and he served as an FBI informant in the 1980s, allegedly spying on other black activists. Readers who share Sinclair’s objections to Sharpton, and the brand of public black activist that he represents, will revel in the book’s polemic tone. Others, however, will be put off by the author’s overt bias and the text’s dearth of sources, despite the numerous footnotes in the text. Particularly troubling is the author’s negativity toward the black community writ large, as he asserts that African-Americans would rather embrace Sharpton’s brand of hustling and victimization than try to address “Poor education and social skills, poor thought and widespread ignorance, poor health habits, licentious violence, teenage pregnancy, single-parent phenomenon, self-hatred, dissonance and ostentation, and multi-generational dependence on public assistance.”
A biography with some illuminating moments, but which often lacks thoughtfulness.Pub Date: April 2, 2018
ISBN: 978-0-9994743-0-3
Page Count: 418
Publisher: Aequis International
Review Posted Online: Aug. 13, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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