A cinematic and suspenseful spy novel.
After a terrorist cell acquires a nuclear bomb, an American intelligence operative strikes out on his own to stop them in this political thriller.
Connor Sloane, an audio surveillance operative in the CIA’s East Asia/Pacific counterintelligence department, comes across a cryptic phone call between an unknown man and Mohammad Hakimi, who has connections to Hezbollah, Hamas, and the Islamic State group. Unable to secure authorization from the Foreign Intelligence Surveillance Court to pursue the lead further, Connor decides to look into the matter on his own. Rothman, the author of The Inside Man (2019), generates a feeling of authenticity by explaining potentially unfamiliar protocols, such as the court’s role in granting sanction to “allow Connor to dig deeper through the local telephone records” and track Hakimi’s contacts. The author also effectively develops a theme of frustration with government regulations; whenever such rules come into play, Connor physically reacts: “slammed the heel of his hand against the desk,” “scoffed,” “chewed on his bottom lip,” “slammed his car door shut, then slapped the steering wheel hard with his palm.” Indeed, his barely contained rage earns him an invitation to join the Outfit, a shadow intelligence organization whose credo (“if it’s actionable, we act”) appeals to him. When Connor’s hunch proves correct and bombings begin to occur all over New York, Connor decides to work with the Outfit to stop the violence. Throughout the novel, Rothman delivers compellingly visual action scenes: “Three [men] down, and the only sounds had been the muffled pops from Connor’s silenced M4, the pinging of the bouncing brass, and the rustle of bodies falling.” Although some of these moments strain credulity, they’re entertaining, nonetheless.
A cinematic and suspenseful spy novel.Pub Date: N/A
ISBN: N/A
Page Count: 340
Publisher: Primordial Press
Review Posted Online: Dec. 8, 2020
Review Program: Kirkus Indie
A novel that delivers pretty much everything Silva’s fans want.
Silva takes his hero to where this bestselling series began.
Fans have gotten used to a new Gabriel Allon book every summer. Anyone wondering what the former head of Mossad might be doing during the war in Gaza will not find an answer here. This is bad news, maybe, for readers who appreciate Silva’s engagement with real-world politics, but it’s good news for those looking to this series for escape. This narrative is set in motion by the death of an art historian trying to reconnect a Picasso painting stolen by the Nazis with its rightful owner. Allon is drawn into this mystery by an old acquaintance from Cornwall, the place where he tried to escape his past and where readers first met him in The Kill Artist (2000). As he did in The Collector (2023), the author focuses on Allon’s connections to the art world, rather than his tenure as an assassin and intelligence operative. None of this is to say that Allon doesn’t make use of spycraft and his network of powerful international contacts. Although longtime fans may miss their favorite members of his old crew, there are plenty of familiar characters here. Allon enlists the help of hacker and master thief Ingrid Johansen and violin virtuoso Anna Rolfe. And it’s Timothy Peel—all grown up—who asks Allon for help investigating a seemingly simple case of murder that isn’t simple at all. All of this is fun enough, but it also feels a bit static. In Portrait of an Unknown Woman (2022), Allon whipped up passable forgeries of works by Renaissance masters like Titian, Tintoretto, and Veronese in a matter of days. Here, his plan for recovering a Picasso requires him to produce convincing lost paintings by modernists and postmodernists with wildly different styles. The glimpses into Allon’s family life also feel rote. Silva’s fans know that Chiara can do much more than cook and smile while her husband goes off on his adventures.
A novel that delivers pretty much everything Silva’s fans want.Pub Date: July 9, 2024
ISBN: 9780063384200
Page Count: 432
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 3, 2024
SEEN & HEARD
Intrigue, murder, and vengeance make for a darkly enjoyable read.
A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.
In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.
Intrigue, murder, and vengeance make for a darkly enjoyable read.Pub Date: Feb. 1, 2022
ISBN: 978-1-64313-865-7
Page Count: 352
Publisher: Pegasus Crime
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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