Unnerving stories that turn traditional plots into fresh, original scares.
Walsh (The Jinxed Pirate, 2017, etc.) assembles a collection of horror and fantasy tales populated by dragons, aliens, and other creatures in the shadows.
In “His Friends,” Cynthia is bored at a party with her boyfriend Jon’s tactless friends. But their company is preferable to that of the mysterious entity that’s lurking outside—something that’s odd, misshapen, and most definitely not human. Walsh often treads conventional territory in these stories, offering mood-setting lightning flashes; vague, moving shapes in darkness; and even a babysitter getting creepy phone calls from a stranger. The familiar setups, however, typically beget surprising turns, as in “Someone Else’s Story,” in which one man’s attempt at playing the hero for a woman in trouble doesn’t quite pan out due to an unexpected twist. “Damsel” also toys with readers’ expectations when a young woman named Gwen tries to find a way to escape a determined murderer. The author employs other tried-and-true horror methods to great effect, often by merely hinting at the appearance of a monster or killer. In the Lovecraft-ian “Look the Other Way,” for example, Laurie Brooks and her husband, Tom, encounter a terrifying creature that Walsh reveals only in snippets—and its backstory is also eerily murky. (“Finding Bosco” is an equally good companion piece, taking place in the same town of Faicville, where twins’ search for a lost cat leads them to what may be the very same monster.) The collection also includes fantasy stories that, like the horror tales, have gloomy overtones. There’s a princess in both “Collision” and “The Mouse & the Dragon”; in the former, a cleric plans on sacrificing her, and in the latter, she awaits someone to rescue her from a dragon—but over thousands of days, she only sees repeated failures. Throughout, Walsh portrays various spooky things with bold imagery. For instance, the narrator of “My Window,” while lying in bed, stares at a creepy silhouette that she describes as “some kind of nightmarish shadow puppet.”
Unnerving stories that turn traditional plots into fresh, original scares.Pub Date: March 2, 2018
ISBN: 978-1-985274-69-3
Page Count: 208
Publisher: CreateSpace
Review Posted Online: Jan. 21, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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