Wonderfully ridiculous in premise and execution and abounding in creative touches, this will surely spark student spinoffs.
Having recovered from the world-destroying science project she created in the first Oh No! (2010), Barnett’s overachiever has a new dilemma: Her history test is returned with one point off for an incorrect answer.
Noting that “Belgium” is not the country where the oldest prehistoric cave paintings exist, she devises a solution completely out of proportion to the problem. Using a “Phun Times” Kiddie Pool as a foundation, she builds a time machine to alter history. After a few glitches (landing in a pre-Neanderthal world and then in the French Revolution), she finds her Belgian cavemen. As in the companion story, the digital compositions are framed with black horizontal borders and marked with white vertical lines to establish a cinematic context. The plot unfolds through speech bubbles, the faux-technical diagrams on graph paper covering the endpapers and the extremely funny actions and expressions of Santat’s caricatures. Children will relish the two cavemen’s antics: They stick paintbrushes in their noses, chomp on the palette and spray paint each other. The duo gives the transporter a spin while the frustrated scholar decorates the cave herself. She emerges to find one sporting Napoleon’s hat, a Roman chariot speeding by and other anachronisms—not to mention an “F” on her test, now that history has been rearranged.
Wonderfully ridiculous in premise and execution and abounding in creative touches, this will surely spark student spinoffs. (Picture book. 5-8)Pub Date: June 5, 2012
ISBN: 978-142314912-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
BOOK REVIEW
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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