Molto bene! (Picture book. 4-8)
A canine escapee gets his own Roman holiday.
Paolo, a dachshund, would rather explore the streets of Rome than lie around inside his hair-salon home. Every time he dares to make an escape out the door, his owner, Signora Pianostrada, blocks her “Lazy Paolo” with her foot. But one day, Signora Pianostrada starts putting curlers in a client’s hair before remembering to close the door, and off Paolo goes. The pup’s newfound freedom takes him all over Rome—for, as he says, unlike the statues he sees, “I am made of muscles, and can go wherever I please.” He stares down cats in a field full of ruins. He becomes leader of a pack of dogs. He even tries his hand at heroics. Above all else, he conquers the city, proving that he’s more imperial than lazy. Barnett’s theatrical narrator works in tandem with the hilariously pompous pooch to carry this rib-tickling romp with infectious bravado. Keane’s illustrations feature thick black outlines and an earthy, Mediterranean color palette applied with the look of oil pastels. The beautifully textured architecture and action sequences harken back to classic picture-book artists like Ludwig Bemelmans, Dr. Seuss, and H.A. Rey. A pair of wordless spreads even gives the pup a wild rumpus. Though it’s mostly an animal story, the human characters are racially diverse. Endpapers depict a small map of Rome with Italian labels.
Molto bene! (Picture book. 4-8)Pub Date: March 31, 2020
ISBN: 978-1-4197-4109-8
Page Count: 48
Publisher: Abrams
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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