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THE SKUNK

Peculiar, perplexing, and persistent—training wheels for Samuel Beckett.

When is a skunk not a skunk? When it’s a…skunk.

A bespectacled man peers out his front door at a red-nosed skunk perched on his stoop, gazing back. The skunk does nothing overtly threatening, just looks at the man and then follows him down the street. The man sports tails and a cummerbund, his red bow tie visually connecting him to the skunk’s red nose; overall, McDonnell’s palette is muted, metropolitan blacks and grays occasionally accented by peach and red. The skunk is bipedal, his posture mimicking the narrator’s as he tails the man through the city on foot and by cab—yet, the narrator tells readers, “the skunk was a skunk.” To the opera, through cemetery, carnival—a brief sojourn on a Ferris wheel is particularly symbolic of existential futility—and sewers the man flees, finally finding himself in a completely different part of the city, where he buys a new house. Here the palette changes to primary colors; there is no skunk, but the man’s visiting friends take on the look of circus clowns. Something is missing; the man leaves his housewarming party to find “[his] skunk.” On doing so, the man begins to tail the skunk, to “make sure he does not follow me again.” Adults will turn themselves inside out trying to figure it out; kids will either find the whole idea hysterical or just plain befuddling.

Peculiar, perplexing, and persistent—training wheels for Samuel Beckett. (Picture book. 6-10)

Pub Date: April 14, 2015

ISBN: 978-1-59643-966-5

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: March 2, 2015

Kirkus Reviews Issue: March 15, 2015

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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CAPTAIN UNDERPANTS AND THE TYRANNICAL RETALIATION OF THE TURBO TOILET 2000

From the Captain Underpants series , Vol. 11

Dizzyingly silly.

The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.

Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.

Dizzyingly silly. (Humor. 8-10)

Pub Date: Aug. 26, 2014

ISBN: 978-0-545-50490-4

Page Count: 224

Publisher: Scholastic

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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