Truthful and suffused with quiet ache: a welcome collection, with the Asian background presented without exoticism, as a...
Seven spare, eloquent tales of family ties that fray but don’t break the US debut of prizewinning Canadian author Thien, who draws occasionally on her family’s Asian background but is first and foremost a perceptive, observant child of Vancouver.
In the title story, a Malaysian immigrant father’s supportive love for his daughter contrasts with his frightening violence toward his son. The daughter’s question to herself—“How to reconcile all that I know of him and still love him?”—resonates throughout the collection. The young wife of “Dispatch” stays in her marriage though she’s learned that her husband—now devastated by grief—would have left her if the other woman he loved hadn’t turned him down. The narrator of “A Map of the City” evokes her father’s shabby used-furniture store, Bargain Mart, and describes the way it once filled her with expectation and pride. She has already become aloof from her father by the time he ends up alone and on welfare, but her remoteness, now extending to her own marriage, must yield to greater generosity and love. Thien mostly offers retrospective narratives of girl children estranged from their parents through divorce, alcoholism, and disappointment. The accounts are rich in detail, with memory serving to acknowledge complexity and to preserve what would otherwise be lost. The narrator of “Four Days from Oregon” recalls her mother’s unhappy marriage, how Tom—her mother’s lover—first entered their lives, and how she used a badminton birdie to hint of the affair to her father. In “House,” two sisters now in foster care sit in front of the house where they used to live to mark their alcoholic mother’s birthday—the one day each year she stayed sober—hoping she’ll reappear.
Truthful and suffused with quiet ache: a welcome collection, with the Asian background presented without exoticism, as a matter-of-fact part of North American life.Pub Date: June 6, 2002
ISBN: 0-316-83316-9
Page Count: 230
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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