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SIMPLE RECIPES

STORIES

Truthful and suffused with quiet ache: a welcome collection, with the Asian background presented without exoticism, as a...

Seven spare, eloquent tales of family ties that fray but don’t break the US debut of prizewinning Canadian author Thien, who draws occasionally on her family’s Asian background but is first and foremost a perceptive, observant child of Vancouver.

In the title story, a Malaysian immigrant father’s supportive love for his daughter contrasts with his frightening violence toward his son. The daughter’s question to herself—“How to reconcile all that I know of him and still love him?”—resonates throughout the collection. The young wife of “Dispatch” stays in her marriage though she’s learned that her husband—now devastated by grief—would have left her if the other woman he loved hadn’t turned him down. The narrator of “A Map of the City” evokes her father’s shabby used-furniture store, Bargain Mart, and describes the way it once filled her with expectation and pride. She has already become aloof from her father by the time he ends up alone and on welfare, but her remoteness, now extending to her own marriage, must yield to greater generosity and love. Thien mostly offers retrospective narratives of girl children estranged from their parents through divorce, alcoholism, and disappointment. The accounts are rich in detail, with memory serving to acknowledge complexity and to preserve what would otherwise be lost. The narrator of “Four Days from Oregon” recalls her mother’s unhappy marriage, how Tom—her mother’s lover—first entered their lives, and how she used a badminton birdie to hint of the affair to her father. In “House,” two sisters now in foster care sit in front of the house where they used to live to mark their alcoholic mother’s birthday—the one day each year she stayed sober—hoping she’ll reappear.

Truthful and suffused with quiet ache: a welcome collection, with the Asian background presented without exoticism, as a matter-of-fact part of North American life.

Pub Date: June 6, 2002

ISBN: 0-316-83316-9

Page Count: 230

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2002

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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