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THE YOUNG UNICORNS

THE AUSTIN FAMILY CHRONICLES, BOOK 3

The Austins, well-met once, have become increasingly cloying in succeeding books, and Miss L'Engle's philosophic concerns, which gave urgency to A Wrinkle in Time, have begun to seem pretentious, their expression sententious. The Young Unicorns is a kind of aggiornamento of the Austin series and The Arm of the Starfish—via cross-references and a congeries of characters—and Wrinkle. . . the latter because seven-year-old Rob Austin speaks with the same precocious wisdom as Charles Wallace and, in the clinch, withstands evil with the same indomitable innocence: the roles are interchangeable. Coequal with the Austins, who've moved to Manhattan, are two youngsters whom they've absorbed, twelve-year-old Emily, a piano prodigy mysteriously blinded, and Dave, an older misfit who used to run with the Alphabets gang. Dad seems disturbed about his work on a microray instrument; the children are frightened by the materialization of a genie when they rub an antique lamp, by stalking Alphabets everywhere. The plot is labyrinthine, and much of the exposition is borne by the dialogue. It seems that Dad's boss, Dr. Hyde, is plotting with the Bishop of the focal-point Cathedral to take over the city by manipulating the minds of the Alphabets with the microray and he needs a key equation from Dad. . . only it isn't the Bishop, it's his actor-brother who impersonated him after his death. Miss L'Engle envelops these melodramatics in church music and theological speculations; she also writes with an insinuating slickness: the insupportable is readable.

Pub Date: May 15, 1968

ISBN: 0312379331

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: May 1, 1968

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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