The Austins, well-met once, have become increasingly cloying in succeeding books, and Miss L'Engle's philosophic concerns, which gave urgency to A Wrinkle in Time, have begun to seem pretentious, their expression sententious. The Young Unicorns is a kind of aggiornamento of the Austin series and The Arm of the Starfish—via cross-references and a congeries of characters—and Wrinkle. . . the latter because seven-year-old Rob Austin speaks with the same precocious wisdom as Charles Wallace and, in the clinch, withstands evil with the same indomitable innocence: the roles are interchangeable. Coequal with the Austins, who've moved to Manhattan, are two youngsters whom they've absorbed, twelve-year-old Emily, a piano prodigy mysteriously blinded, and Dave, an older misfit who used to run with the Alphabets gang. Dad seems disturbed about his work on a microray instrument; the children are frightened by the materialization of a genie when they rub an antique lamp, by stalking Alphabets everywhere. The plot is labyrinthine, and much of the exposition is borne by the dialogue. It seems that Dad's boss, Dr. Hyde, is plotting with the Bishop of the focal-point Cathedral to take over the city by manipulating the minds of the Alphabets with the microray and he needs a key equation from Dad. . . only it isn't the Bishop, it's his actor-brother who impersonated him after his death. Miss L'Engle envelops these melodramatics in church music and theological speculations; she also writes with an insinuating slickness: the insupportable is readable.
Pub Date: May 15, 1968
ISBN: 0312379331
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: May 1, 1968
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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