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THE WEDDING SHOE SNATCH

A sweet, playful tale about stealing shoes and finding family.

A South Asian girl grapples with big changes at a family wedding.

Shilpa’s older sister, Maya, is getting married, and Shilpa is nervous. What if she loses Maya to her new family? Maya’s future husband’s younger brother, Rishi, makes her especially uneasy. For one thing, he won’t stop calling Shilpa “Bean.” For another, Maya calls Rishi “sweet”—will Maya ever call Shilpa that again? Shilpa tries to get past these troubles and focus on her main responsibility: upholding the tradition of Joota Chupai, or stealing the groom’s shoes and returning them only when he offers a prize. Shilpa and her cousin plot to steal the shoes, but Rishi is fast and tries to make off with them. In an unexpected twist, Rishi falls and hurts his knee, and Shilpa stops to help him. She soon realizes that Rishi isn’t her rival. Indeed, he turns out to be her newest partner in crime at the wedding—and maybe even her newest brother. Upbeat text and vibrant illustrations combine for a raucous story full of heart, movement, and joy. Although Shilpa’s change in attitude toward Rishi feels abrupt, her fears about losing her sibling and integrating into a new family are both relatable and beautifully explored. The illustrations are particularly inviting, featuring bold colors, intense emotional expression, and laugh-out-loud silliness.

A sweet, playful tale about stealing shoes and finding family. (Picture book. 4-8)

Pub Date: Oct. 3, 2024

ISBN: 9780807571866

Page Count: 32

Publisher: Whitman

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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