Another slightly edgy “sad girl” novel, distinct in its inclusion of a nonbinary love interest and a celebrity cameo.
A depressed young woman attempts to form her identity through parasocial relationships, one of which she manifests into existence.
Elsa has been dumped by a chic older couple, her bosses and lovers of a year and a half. Heartbroken and out of a job, she moves back in with her parents in her sleepy hometown. The family watches an unnamed film together, which the discerning reader will quickly identify as Call Me by Your Name (2018), and Elsa finds that “she had been moved,” deeply, by the performance of the young actor—which would be, you guessed it, Timothée Chalamet. Elsa becomes obsessed with Chalamet, who’s referred to only as “the actor-character,” and in an extraordinary coincidence, she sees him at her town’s local coffee shop days later. He’s starring in a play in the town’s annual theater festival, and Elsa devotes herself to meek attempts at grabbing his attention from outside his retinue of haute creatives and hangers-on. Her life becomes a blur of hostessing at the local restaurant, stalking “the man and the woman” and various influencers on social media, smoking on the roof outside her childhood bedroom, and—briefly and unspectacularly—encountering the actor. Over time, her interests shift from the actor to one of his companions: a dark-haired person named Sam. When Sam finally notices her, Elsa must reckon with who she is, and who she could become, after hitting rock bottom. This debut is realistic in its portrayal of a listless young woman lacking direction, and some readers will find many moments to relate to. The endless repetition of actions and thought patterns that fill the first two-thirds of the book mirror the monotony of Elsa’s days, but they quickly begin to drag. We move through Elsa’s life as she does, sleepily, watching her emotions instead of feeling them. The style is formal and detached, which can feel stilted at times, but there are lines that shine with wisdom: “She wondered if progress or ‘healing’…was merely a flattening out, a ridding of affect so that one might remain placid in the face of almost anything, a pebble worn down to its impenetrable core.”
Another slightly edgy “sad girl” novel, distinct in its inclusion of a nonbinary love interest and a celebrity cameo.Pub Date: July 2, 2024
ISBN: 9781668025109
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: April 18, 2024
Kirkus Reviews Issue: May 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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