Binchy has her formula down pat, and only a curmudgeon could resist this master of cheerful, read-by-the-fire comfort.
A Dublin heart clinic, full of romantic and family crises in need of healing, provides the apt setting for Binchy’s latest (Whitethorn Woods, 2007, etc.).
St. Brigid’s Hospital opens a cardiac clinic over the fiscal objections of administrator Frank Ennis. Directing the clinic isn’t the big job Dr. Clara Casey wanted, and her mood isn’t improved when long-estranged husband Alan turns up to say his girlfriend is pregnant and he wants a divorce. But soon Clara is enthusiastically involved in redecorating and hiring a crack staff, whose lives intertwine with those of the clinic’s patients in the familiar Binchy landscape of overlapping stories. Young Dr. Declan and Nurse Fiona fall in love. Impoverished but multitalented aide Ania falls for Carl, whose father is an elderly patient. Ania also helps physical therapist Johnny’s friend Father Flynn avoid an unmerited scandal; Binchy fans will enjoy the cameo appearances by this benevolent priest and numerous other characters from earlier books. Clara finally begins divorce proceedings against Alan and becomes romantically involved with a goodhearted, penny-pinching pharmacist. Clara’s assistant Hilary, who can’t bear to put a beloved but failing parent into a home, blames herself when her mother wanders off and is hit by a car. At the clinic’s big fundraiser, Clara and still-shaky Hilary plot to match Clara’s aimless daughter with Hilary’s musician son. Meanwhile, Carl’s snobbish mother attempts to drive a wedge between him and Ania, but he stands up to her. Declan’s engagement to Fiona is tested when Fiona gets cold feet, but Declan’s patience is rewarded. By the time we get to their wedding at Father Flynn’s social center for immigrants, most of the singles have happily coupled off. Even Clara and her archenemy Frank dance the night away. Part of the fun is guessing who will show up in the next book.
Binchy has her formula down pat, and only a curmudgeon could resist this master of cheerful, read-by-the-fire comfort.Pub Date: March 2, 2009
ISBN: 978-0-307-26579-1
Page Count: 432
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2009
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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