Binchy remains the queen of spiritual comfort, but this time round she’s stretched interest thin with ups and downs too many...
A Dublin neighborhood full of many of the characters who frequently pass through Binchy’s Irish novels (Heart and Soul, 2009, etc.) bands together to help a young single father raise his daughter.
Aware she will not survive her baby’s birth, fatally ill Stella tells alcoholic loner Noel that he is the father. He doesn’t remember having actual sex with Stella and is far from certain he wants or can handle the responsibility. But with the help and encouragement of his cousin Emily, in Dublin on an extended visit from New York, Noel stops drinking and takes custody of baby Frankie after Stella’s death at St. Brigid’s Hospital. His transformation from loser to responsible, loving father and his struggle to convince his uptight social worker that he is fit to raise Frankie forms the central plot. But once Noel’s in AA and night school, he pales as a character. After so many novels, Binchy’s recurring characters have become so numerous that even devotees may have trouble keeping track. Here, hospital administrator Frank Ennis is the one to watch as he reaches out to the grown son he never knew he had. As usual, Binchy’s supporting characters steal the show. Social worker Moira seems like the stereotypical uptight bureaucrat at first, but her loneliness and painful self-awareness of her failure to connect to others become increasingly heart-wrenching. Moira has to overcome an unhappy family situation, as does Lisa, a graphic artist who moves in as Noel’s platonic housemate to escape her parents’ sham marriage, although she’s in her own sham love affair with a flashy restaurateur. Circling everywhere, boringly perfect Emily has an uncanny ability to ask the right question and solve problems—everyone in Noel’s life has a story. A dram of sorrow leavens the predictably happy ending.
Binchy remains the queen of spiritual comfort, but this time round she’s stretched interest thin with ups and downs too many and too mild.Pub Date: March 1, 2011
ISBN: 978-0-307-27356-7
Page Count: 384
Publisher: Knopf
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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