A collection of Christmas-centered feel-good tales about love and family snarls in the season of comfort and joy. All are rendered in Binchy's popular unglossed style (The Glass Lake, 1995, etc.), and set in England, Ireland, and Australia. Some of the 15 tales have to do with unwise, innocent women carrying torches for the married lovers who take them for granted. Most eventually find the strength to douse the torch they've been carrying and let their own light shine—one is helped along by the plight of a loveless teenager and a sad gambler who's lost all. There are also abrasive relationships with children. In ``The First Step of Christmas,'' a resentful, neglected stepdaughter is lured home by a simple holiday tradition. Two single men with wayward adult children find mutual support and insight in ``A Typical Irish Christmas,'' and two singles in their 50s fly to Australia to meet their children's spouses for the first time—and discover each other along the way. Included as well are amusing tales about ditsy-to-just-plain-awful grannies. In ``A Season of Fuss,'' adult children foolishly try to curb their mother's towering nervous flights of preparation for the holidays. In ``The Best Inn in Town,'' two crazy grandmothers—one with ``a lip that curled all on its own,'' the other possessing ``a tinkling laugh that would freeze the blood''—are about to be dumped in a local inn. But the grandchildren, used to ``the natural order of things'' at Christmastime, have a better idea. There are marital reconciliations, too, and, in the sourly amusing title story, a long-suffering housewife, a good old reliable preparer and supplier of Christmas jollity, plans a surprise for her dense family that will resonate far beyond Christmas. In all, an appropriate gift for the casual reader—a bit of sentimentality and a touch of romance, along with humor and hopeful turns to treat those with cases of the holiday blues. (Literary Guild featured alternate selection)
Pub Date: Nov. 1, 1996
ISBN: 0-385-31503-1
Page Count: 224
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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