A WEEK IN WINTER

The beloved, prolific Binchy’s posthumous last novel is classic Binchy (Minding Frankie, 2011, etc.), peeking into the lives of characters from various walks of life brought together at a newly opened inn on the West Coast of Ireland.

After 20 years in America and pretending she’s been widowed by an American husband she never actually married, Chicky returns to her hometown of Stoneybridge to turn an elderly spinster’s run-down cliffside mansion into an inn. To help renovate Stone House, she hires her childhood friend Nuala’s son, Rigger, whose history of delinquency has made Nuala desperate to remove him from Dublin, where she’s raised him as a single mother. Soon, Rigger is morally reformed and in love. To run the business end, Chicky hires her niece Orla, whose life in London has soured. Together, they get the place ready for the first week of paying guests: 34-year-old nurse Winnie arrives trapped into a vacation with her boyfriend’s sophisticated, disapproving mother. A famous American actor takes advantage of a missed flight connection to escape the trappings of stardom for a week. Married doctors come for a respite from their crippling if unwarranted sense of responsibility for the terrible deaths they have witnessed. The heir to a Swedish accounting firm, who has set his father’s expectations above his own love of music, comes to Stoneybridge to look up a musician friend. A husband and wife, whose lives together revolve around entering contests, consider their week at Stone House a disappointing consolation prize compared to the trip to Paris they didn’t win. A retired girls’ school principal receives the Stoneybridge vacation as a retirement gift she refuses to enjoy. And a clairvoyant librarian in love with a married man comes for a week to recover from her broken heart and avoid her second sight.

While Binchy’s stories are sketchier than usual, perhaps understandably rushed, her fans will find solace as hearts mend and relationships sort themselves out one last time.