by Magdalene Visaggio ; illustrated by Paulina Ganucheau ; color by Avery Bacon ‧ RELEASE DATE: Oct. 15, 2024
A positive and insightfully honest exploration of teen girlhood.
New girl Phoebe Zito finds herself torn between cliques, boys, and different ways to be a girl.
Phoebe, a transgender 16-year-old, has just moved to California from the East Coast. She initially befriends nerdy outcast Ben Wheelock, but soon queen bee Mackenzie Ishikawa notices Phoebe and takes her on as a friend—and a project, partly out of her (subconsciously transphobic) desire to teach her how to be a girl. (Fans of the 1995 version of Clueless will instantly recognize the inspiration—starting with the book’s cover.) In addition to a makeover, Mackenzie offers an introduction to feminism that provides information that many readers need to hear. Phoebe starts dating, but heartthrob Ethan Rackley is a stickler for gender roles, while nice guy Ben seems a little too into her transness. Meanwhile, Mackenzie is cast as Audrey in Little Shop of Horrors and comes to relate to the character’s struggle to survive. Despite some ups and downs, Mackenzie and Phoebe slowly learn how to be real friends to each other, come of age as young women, and deal with largely the same hurdles through the lenses of their cis and trans identities and experiences. This exploration of young womanhood will ring true to many who currently are or have been teen girls. The cute and colorful art features appealing character designs. Phoebe and Ben present white, Mackenzie is cued Japanese American, and Ethan reads Black.
A positive and insightfully honest exploration of teen girlhood. (Graphic fiction. 13-18)Pub Date: Oct. 15, 2024
ISBN: 9780063060661
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Magdalene Visaggio ; illustrated by Jenn St-Onge
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by Magdalene Visaggio ; illustrated by Claudia Aguirre & Zakk Saam
by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Laura Nowlin
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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