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THE EQUIVALENTS

A STORY OF ART, FEMALE FRIENDSHIP, AND LIBERATION IN THE 1960S

A welcome spotlight on an overdue “experiment.”

The story of the first scholars to participate in a “messy experiment” at Harvard’s Radcliffe college.

The 1950s and ’60s were tough for educated women, especially those who wanted to be writers or artists. Men dominated academia and literature, and women were expected to stay home and care for their husbands and children. So in 1960, microbiologist Mary Ingraham Bunting, Radcliffe president and mother of four, created the Radcliffe Institute for Independent Study, a fellowship program to provide a stipend and office space to help “intellectually displaced women” become scholars and artists while also caring for a family. In her debut, Doherty, who teaches writing at Harvard, tells the story of several of the Institute’s first scholars, women who called themselves the Equivalents because the Institute “required that applicants have either a doctorate or ‘the equivalent’ in creative achievement.” The author focuses on three of them: Anne Sexton, who “came from New England wealth” yet endured demons that precipitated several suicide attempts; fellow poet Maxine Kumin, with whom Sexton forged an enduring friendship even though Kumin came from a less privileged background; and writer Tillie Olsen, “a first-generation, working-class American, an itinerant, and an agitator” who named her first daughter Karla after Karl Marx and was the first among her cohort to note that “the true struggle was the class struggle”—i.e., not every woman “had the time, resources, and education” to immerse themselves in creative endeavors. Other Institute scholars, such as sculptor Marianna Pineda and painter Barbara Swan, are also mentioned. Digressions about women peripherally connected to the scholars may have been an attempt to place the graduates’ post-Institute work in a broader perspective, but it feels as if Doherty didn’t have enough material about these scholars to fill an entire volume. When she sticks to her subject, the book is superb, especially when she recounts Sexton’s personal struggles and offers close analyses of each author’s works.

A welcome spotlight on an overdue “experiment.”

Pub Date: May 19, 2020

ISBN: 978-1-5247-3305-6

Page Count: 352

Publisher: Knopf

Review Posted Online: Jan. 14, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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