Following the surprising pathways that shaped the modern world.
Tracing the arc of modern life reveals how design created our systems, objects, and beliefs.
Over the past decade, human-centered design has become a buzzworthy term for problem-solving across a range of fields. But where did it originate? Gram—design lead at Google and a cultural historian—offers a rich, literate exploration of how the concept of design emerged as a way to humanize and soften the harsh edges of capitalism. Gram carefully lays out her intellectual territory, but the narrative gains momentum as she introduces individual design thinkers, their complex lives, political entanglements, and layered motivations. She includes familiar and lesser-known voices, arguing that design is a force shaping political, cultural, and intellectual life—from the Industrial Age and Progressive Era through Modernism, Postmodernism, and Globalism into our current era of “human-centered design.” Examples include Eva Zeisel—a German ceramicist who survived Soviet imprisonment to become a celebrated artist at New York’s Museum of Modern Art—and Charles and Ray Eames, whose work framed design as systematic problem-solving. Gram contrasts early computational theorists Herbert Simon and Henry Dreyfuss—who embraced machines as optimal problem solvers—with Horst Rittel, who, in the 1960s, argued that design problems are not rule-based puzzles with definitive solutions, but rather arguments with better or worse outcomes. Xerox Palo Alto Research Center (PARC), Steve Jobs, and pioneers of human-computer interaction play roles in transitioning design thinking into the age of user-centered design. Gram is engaging, though her arguments occasionally verge on the Talmudic, weaving together diverse threads—from capitalist critique and chaos theory to the roots of artificial intelligence. Her annotations provide a valuable roadmap for deeper dives into design as discourse or “an amalgam of optimistic human values.” Ultimately, Gram suggests, our understanding of design may depend on the state of the world.
Following the surprising pathways that shaped the modern world.Pub Date: June 3, 2025
ISBN: 9781541600638
Page Count: 336
Publisher: Basic Books
Review Posted Online: April 17, 2025
Kirkus Reviews Issue: May 15, 2025
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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