A sports novel offering a historical perspective.
A girl in 1970s Brooklyn gets the chance to make her future playing ball in Hill’s debut novel.
Claire Joyce loves basketball. John, one of her brothers, is a high school basketball star, though the kind of ball John and the other boys play is different from the sport available to girls like Claire—only certain “roving” players can move around the whole court in the girls’ games, and they have to wear restrictive uniforms featuring collars, skirts, and belts. Changes may be on the horizon, though: “Congress is looking at a bill that will allow girls to have equal access to sports money in federally funded programs,” John tells her. “If that passes, you might even be able to play basketball and get college funded, too.” Basketball also provides a welcome escape from life at home; Claire and her siblings contend with their alcoholic mother while their father, a cab driver, works nights and sleeps all day. Bobby, another brother, is quiet but prone to sudden acts of violence, while the gentle John increasingly gets into trouble with drugs and the law. Just as John predicted, Title IX goes into effect. Suddenly, girls’ basketball is a big deal—big enough that it might mean Claire could get a college scholarship and escape the claustrophobic environs of Irish Catholic Brooklyn. Hill’s prose is muscular and matter-of-fact, much like the maxims that govern Claire’s actions on the court: “When we’re stupid, we think our shot is the only answer. One of our exercises during official practice is to constantly pass the ball, looking for the open person…The coach always says we have to play smart. Eyes out for the open player. Hold back, measure up, break out.” The plot suffers slightly from a sense of inevitably—Claire’s path is always certain, as is John’s—which gives the pacing a somewhat torpid quality. Even so, Hill captures a watershed moment in the history of sports in a way that highlights how transformative athletics can be, especially in the lives of young women.
A sports novel offering a historical perspective.Pub Date: May 1, 2024
ISBN: N/A
Page Count: 209
Publisher: manuscript
Review Posted Online: Jan. 12, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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