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THE BOY WHO LOST HIS SPARK

A wise and gentle tale about the necessity of mischief to distract us from ourselves.

Be careful what you claim to disbelieve. It may be listening.

Jem has been overflowing with anger ever since his mother moved him and his little sister, Verity, from the city to the country, far from their old life and friends. As his unhappiness mounts, strange things begin happening: Jem discovers his shoes filled with chestnuts; the family’s clothing is shredded. Verity blames a “nouka,” a mysterious being said to live in the nearby hill. Jem’s frustrations build until one day he declares, “I don’t believe in the nouka!” These words trigger the local nouka, a furry black creature who does indeed exist and who likes warm fires and pranks—and who turns its attention to the boy, ramping up the misdeeds. For Jem, accepting his new home means also accepting the existence of the nouka, twin problems for a boy determined to be sad and serious. In this lengthy picture book, delicate watercolors illuminate the quiet beauty of the countryside, imbuing both Jem’s slowly dawning wonder and the nouka’s tiny world with magic and poignance. Acclaimed adult novelist O’Farrell’s language is marked by elegant turns of phrase, as when Jem is described as feeling “so low and listless, sitting there, as if his insides had been stuffed with damp rags.” The characters present white. This U.K. import closes with music and lyrics to “The Song of the Nouka,” based on the Irish jig “Seanduine Dóite.”

A wise and gentle tale about the necessity of mischief to distract us from ourselves. (Picture book. 5-9)

Pub Date: April 1, 2025

ISBN: 9781536233933

Page Count: 112

Publisher: Walker US/Candlewick

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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