by Maggie Paxson ‧ RELEASE DATE: Aug. 13, 2019
An elegant, intensive study that grapples with an enormous idea: how to be good.
A multilayered, intimate look at what creates a “peace enclave” amid terrible violence.
Pursuing her research into how “even powerless-seeming people can find ways to resist the will of a violent state,” anthropologist and essayist Paxson (Solovyovo: The Story of Memory in a Russian Village, 2005) delved into Holocaust studies and ultimately focused on one peculiar region in France, Plateau Vivarais-Lignon. From the early centuries of religious war, when the region protected Protestants, to World War II, when there was a school of refugees sheltering hundreds of Jewish children, to today, when a thriving center for asylum-seekers houses innumerable refugees from places like Congo, Rwanda, and Chechnya, the cluster of villages possesses a remarkable history of “heroic altruism.” In order to tell the story of this extraordinary community, the author immersed herself in the history of the small rural area, somewhat isolated at 3,000 feet, full of farmers and sheep herders. Specifically, she absorbed the tragic wartime fate of Daniel Trocmé, who arrived to run a home for refugee children in the French backwoods in the fall of 1942. As he wrote to his parents, he wanted “to be part of the reconstruction of the world. I…wish not to be ashamed of myself.” Paxson is meticulous in her attention to fieldwork detail: the way people live, their language, the choices people make in times of violence when communities tend to close doors and “act in such a way as to maximize the best outcomes for ourselves.” Yet the opposite happened on the Plateau, where people sheltered the strangers as the Nazi occupiers made strangers enemies to be annihilated. The many layers in this engrossing, almost suspenseful work involve the author’s evolving relationships with the current refugee families at the asylum center, the revealing letters Trocmé sent to his family delineating his blooming personality and sense of purpose, and the author’s own growing determination in her research. Throughout, Paxson keeps asking questions and probing, never settling for assumptions.
An elegant, intensive study that grapples with an enormous idea: how to be good.Pub Date: Aug. 13, 2019
ISBN: 978-1-59463-475-8
Page Count: 368
Publisher: Riverhead
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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