by Maisha Oso ; illustrated by London Ladd ‧ RELEASE DATE: Sept. 17, 2024
A stellar work that belongs in every collection serving young people.
“My hair is a book. / Watch me open it, / part it, / take a look.”
So begins this creative homage to the plethora of bold adjectives, nouns, verbs, and nicknames that people of African descent use to describe their hair and hairstyles—descriptors that also apply to books. Like books, hair conveys histories; like books, Black hair has often come under scrutiny or deemed unacceptable. Oso’s metaphors illustrate how Black hair tells the story of those who wear it; hair announces its wearer’s beauty to the world, be it cornrowed, locked, twisted, or curled. The author also nods cleverly and generously to other Black-authored books: Camille Yarbrough and Carole Byard’s Cornrows (1979), Derrick Barnes and Gordon C. James’ Crown: Ode to the Fresh Cut (2017), Kwame Alexander and Kadir Nelson’s The Undefeated (2019), Grace Byers and Keturah A. Bobo’s I Am Enough (2018), and even Alex Haley’s Roots (1976). Some of Ladd’s stunning acrylic, cut-paper, and tissue paper collage illustrations depict recognizable historical figures such as Shirley Chisholm, Malcolm X, and Madam C.J. Walker (the first American woman millionaire, who made her fortune on Black hair products), while others portray Black kids, cooks, and athletes, all of whom take pride in their hair despite those who might judge them. The Afro pick on the cover, with a Black Power fist protruding from a girl’s capacious updo, sets this book’s unapologetically pro-Black and celebratory tone.
A stellar work that belongs in every collection serving young people. (author’s note) (Picture book. 4-8)Pub Date: Sept. 17, 2024
ISBN: 9780063249103
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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by Maisha Oso ; illustrated by Candice Bradley
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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