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LIVES OF THAI TEMPLE BOYS

A COLLECTION OF SHORT STORIES FROM THAILAND

Evocative profiles of Thai young adults growing up in hard circumstances but with a hopeful future.

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Youths living at a Buddhist temple in Bangkok wrestle with the basics—cheap food, among them—in these coming-of-age stories.

In 15 autobiographical tales, Limpichart (A Man in Saffron Robes, 2013) writes of teenagers, most of them students at Bangkok colleges, who get free lodging at an unnamed temple in exchange for doing chores and maintenance work for the monks. For the temple boys, most of them from impoverished rural families who send them skimpy and irregular stipends to live on, it’s a life of austerity and persistent hustling to make ends meet. Several stories follow the travails of boys trying to get food to supplement the meager temple fare of rice with fish sauce; their various stratagems include begging, borrowing, and selling blood. Residents must guard their clothing from thieves and often pawn their meager possessions to eke out the days until the next money order arrives from home. The daily struggle for survival is a persistent, though gentle, picaresque adventure that most of the boys weather with a little help from their friends. Meanwhile, Limpichart’s alter ego/narrator engages with problems of moral responsibility, ponders his prospects—a post in the government bureaucracy is the holy grail for these students—and takes in a cast of colorful acquaintances, including a hard-luck aspiring boxer who is hopeless in the ring, a gay roommate who makes a pass at him, and a sly con man who scams food by crashing funerals and weddings. In Landau’s workmanlike translation, these winsome narratives unfold as loose-limbed, shaggy dog stories that often close with an ironic punch line and an Aesopian moral. (“A birthday is an occasion for acquiring merit by offering food to monks, not for snatching meals away from them.”) The content and conflicts are fairly tame—the stories are often used in lessons in Thai schools—but together they paint a rich profile of life and longings among young strivers. At their best, as in a tale in which the narrator returns to his hometown when his father dies, Limpichart achieves a quiet but moving emotional power.

Evocative profiles of Thai young adults growing up in hard circumstances but with a hopeful future.

Pub Date: June 12, 2017

ISBN: 978-0-9894432-1-0

Page Count: 182

Publisher: Middle Way Multimedia & Publishing Services

Review Posted Online: June 14, 2017

Kirkus Reviews Issue: July 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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