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WINDSWEPT HOUSE

The author of Vatican (1986), among others, returns with a mammoth meditation on the troubled state of today's Catholic Church. So troubled, as one of the characters reports to the ``slavic Pope'' who is the central figure here, that ``it's going down.'' In his opening scenes, surprising for this measured writer, Martin portrays an animal sacrifice straight out of Stephen King, and Lucifer's plan is unveiled: to penetrate the Church hierarchy and eventually the Holy See itself with corrupt priests. They are bent on merging with economic and ethical universalists in the public arena, but their true agenda is the ascension of Satan and the annihilation of humankind. A young American priest, Christian Gladstone, from a place of peace called Windswept House, attempts to reverse these trends in his audiences with the slavic Pope; his twin brother, a lawyer, is embroiled in the impending new world order. They are light and dark, but, curiously, the slavic Pope is gray. He as much as anyone stood against Stalinist forces in Eastern Europe, but at a cost to the private message of faith and redemption the Church always has symbolized. But, while he himself has secularized the Church, his personal faith is deeply traditional. He seeks a revelation from an aged nun who participated in the Marian manifestation at Fatima. Can she tell this weary old man when Jesus will return? Does he have the strength for one last battle, as Lucifer stands poised to become Pope? Slowly, indeed, Martin's passions—and his agony over the dire straits of his faith—build into a deeply felt moral crisis. Martin is a close associate with Pope John XXIII, and his knowledge of Vatican politics is extraordinary. He pauses just short of the Apocalypse, but should find readers among Catholics and many evangelicals. Too slow-moving, and too specialized, for everyone else. (Author tour; radio satellite tour)

Pub Date: June 1, 1996

ISBN: 0-385-48408-9

Page Count: 480

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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