In a departure from the Asian and apocalyptic milieus of The Warlord (1983) and Mister Touch (1991), Bosse here re-creates Henry Fielding's London—and the gout-ridden father of the novel himself- -in a slightly convoluted but touching romantic saga. Young shepherd Ned Carleton arrives in the city to seek his fortune, finding a position with the imperious Lord Sandwich that he promptly loses when falsely accused of theft. Adding injury to insult, Ned burns a hand badly in an unsuccessful attempt to rescue a woman from a fire, and is thereby rendered unfit for any work save the illegal kind, which 18th-century London offers in abundance. He finds his niche in the fashionable West End as the fearsome Dog Cull, a sobriquet derived from his companion, a talented sheepdog turned herder of men ripe for the plucking. He also finds sweet love, however, with a prostitute who returns his affections as innocently as he offers them, and so he decides to blackmail the mighty Sandwich in order to gain the wherewithal for a fresh start for himself and Clare. Having deduced that his lordship is linked to a young woman who claimed she was abducted by a gypsy, Ned also connects the two to a former monastery that serves as the bawdy house for a group of blasphemous noblemen, who celebrate satanic rites using the living altar of a naked woman. Before he can profit from his knowledge, however, Ned is captured and sentenced to hang for murder—and only the timely arrival of Fielding, who has taken an interest in the case and who soon becomes smitten by Clare, can save him.... A masterful blend of history and fiction, marred only by the portrayal of Fielding, who appears aloof in his own narration of events. Even so, a vivid, engaging yarn.
Pub Date: Sept. 1, 1992
ISBN: 0-395-62943-8
Page Count: 448
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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