Never remotely plausible or even original, but a tale guaranteed to keep genre fans up till dawn.
McHugh’s debut tackles an age-old question: What’s a mother to do when her daughter, who’s been the star of her obsessively curated mommy vlog for nearly 10 years, disappears?
Thirteen-year-old Chloe Cates, whom the offline world knows as Abigail Scarborough, is the creation of Jennifer Cates, nee Jen Groff, whose online production of “CC and Me,” nourished by commercial tie-ins and Jennifer’s boundless appetite for grooming her daughter for stardom, has finally been generating enough income to surpass Jackson Scarborough’s salary as associate director of his Albany firm’s marketing team. Even before she vanishes from her bedroom one night, leaving her window open and her cellphone behind, Chloe’s carefully fictionalized life has been built on papering over her constant resentment of the stage mother from hell. And that’s not the only tension that bubbles beneath the domestic surface. Chloe’s older brother, JJ, has set her up with her own social media accounts as Abigail. Abby’s met a boy online who knows nothing of her avatar. Jackson has skeletons in his own closet. Even Emilina Stone, the police detective assigned to the case, is the last person in the world Jennifer wants to see because the two of them share knowledge of a guilty secret that goes back to their own school days, gradually revealed in an obligatory series of flashbacks. McHugh manages this tangle of subplots with practiced efficiency, quickening the pace of dramatic, if not exactly surprising, revelations till the final pages.
Never remotely plausible or even original, but a tale guaranteed to keep genre fans up till dawn.Pub Date: Jan. 18, 2022
ISBN: 978-1-61316-268-2
Page Count: 312
Publisher: Scarlet
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Forget the tangled backstory, focus on the game of cat and mouse, and enjoy.
Lt. Eve Dallas and her colleagues in the New York Police and Security Department step outside their comfort zone into counterterrorism.
Back in 2024, during the stressful time of the Urban Wars, a courageous band calling themselves The Twelve fought Dominion and other violent fringe groups that sought to end civilization as we know it, despite the presence of a traitor in their own midst. Now, 37 years later, someone’s killed Giovanni Rossi, a retired cybersecurity expert who was one of The Twelve, an hour or so after a summons—ostensibly from another veteran of the group—brought him from Rome to New York. On the body, officers called to the scene find a copy of Dallas’ business card that’s been embellished with a flamboyant threat to annihilate the seven surviving members of The Twelve. Obligingly inviting all seven to New York—a move you’d think would make it a lot easier for their nemesis to wipe them all out at once—Dallas soon forms a theory about the killer’s identity and sets a trap to draw him out. But her plan turns into a narrow miss, upping the stakes on both sides, for now the killer knows Dallas is on to him. It’s in the nature of the case that there’s less mystery and detection than usual in this long-running franchise—the biggest surprise turns out to be the connection between Dallas and her quarry—but the thrills keep on coming, and the final interrogation, though highly predictable in its broad outlines, is as satisfying as ever.
Forget the tangled backstory, focus on the game of cat and mouse, and enjoy.Pub Date: Feb. 4, 2025
ISBN: 9781250370792
Page Count: 368
Publisher: St. Martin's
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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