Never remotely plausible or even original, but a tale guaranteed to keep genre fans up till dawn.
McHugh’s debut tackles an age-old question: What’s a mother to do when her daughter, who’s been the star of her obsessively curated mommy vlog for nearly 10 years, disappears?
Thirteen-year-old Chloe Cates, whom the offline world knows as Abigail Scarborough, is the creation of Jennifer Cates, nee Jen Groff, whose online production of “CC and Me,” nourished by commercial tie-ins and Jennifer’s boundless appetite for grooming her daughter for stardom, has finally been generating enough income to surpass Jackson Scarborough’s salary as associate director of his Albany firm’s marketing team. Even before she vanishes from her bedroom one night, leaving her window open and her cellphone behind, Chloe’s carefully fictionalized life has been built on papering over her constant resentment of the stage mother from hell. And that’s not the only tension that bubbles beneath the domestic surface. Chloe’s older brother, JJ, has set her up with her own social media accounts as Abigail. Abby’s met a boy online who knows nothing of her avatar. Jackson has skeletons in his own closet. Even Emilina Stone, the police detective assigned to the case, is the last person in the world Jennifer wants to see because the two of them share knowledge of a guilty secret that goes back to their own school days, gradually revealed in an obligatory series of flashbacks. McHugh manages this tangle of subplots with practiced efficiency, quickening the pace of dramatic, if not exactly surprising, revelations till the final pages.
Never remotely plausible or even original, but a tale guaranteed to keep genre fans up till dawn.Pub Date: Jan. 18, 2022
ISBN: 978-1-61316-268-2
Page Count: 312
Publisher: Scarlet
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
More style than substance.
Michaelides takes a literary turn in his latest novel, employing an unreliable narrator, the structure of classical drama, and a self-conscious eye to dismantling the locked-room mystery.
The novel starts off with a murder, and with seven people trapped on an isolated Greek island lashed by a "wild, unpredictable Greek wind." The narrator, soon established as Elliot Chase, then zooms out to address the reader directly, introducing the players—most importantly movie star Lana Farrar. We meet her husband, Jason Miller, her son, Leo, and her friend Kate Crosby, a theater actress. We learn about her rise to fame and her older first husband, Otto Krantz, a Hollywood producer. We learn about Kate’s possibly stalling career and Leo’s plan to apply to acting schools against his mother’s wishes. We learn about Jason’s obsession with guns. And in fragments and shards, we learn about Elliot: his painful childhood; his May–September relationship with an older female writer, now dead; his passion for the theater, where he learned “to change everything about [himself]” to fit in. Though he isn't present in every scene, he conveys each piece of the story leading up to the murder as if he were an omniscient narrator, capable of accessing every character's interior perspective. When he gets to the climax, there is, indeed, a shooting. There is, indeed, a motive. And there is, of course, a twist. The atmosphere of the novel, set mostly on this wild Greek island, echoes strongly the classical tragedies of Greece. The characters are types. The emotions are operatic. And the tragedy, of course, leads us to question the idea of fate. Michaelides seems also to be dipping into the world of Edgar Allan Poe, offering an unreliable narrator who feels more like a literary exercise. As an exploration of genre, it’s really quite fascinating. As a thriller, it’s not particularly surprising.
More style than substance.Pub Date: Jan. 16, 2024
ISBN: 9781250758989
Page Count: 320
Publisher: Celadon Books
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
BOOK REVIEW
A weird, wild ride.
Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.
Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.
A weird, wild ride.Pub Date: June 21, 2022
ISBN: 978-0-593-18319-9
Page Count: 368
Publisher: Dutton
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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