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THE ORIGINAL INSTRUCTIONS

REFLECTIONS OF AN ELDER ON THE TEACHINGS OF THE ELDERS, ADAPTING ANCIENT WISDOM TO THE TWENTY-FIRST CENTURY

A rapturous operating manual for the soul.

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Native American spirituality is the cure for what ails humanity, according to this rhapsodic New Age manifesto.

Mankind went wrong, argues Manitonquat, a Wampanoag poet, editor and counselor, at the first stirrings of civilization when we learned to exploit plants and animals instead of revere them, and to live in big cities instead of little bands. The result is a present-day culture stewing in violence, inequality, sexism, environmental devastation and global warming, one that “plunders everything, robs, rapes, pillages and murders its own and every other species, becoming madder, more enraged and more insane with every passing year.” Fortunately, he writes, we can regain sanity by recalling the “original instructions” the Creator meant us to obey, which are still remembered by the elders of the First Nations (the author, having seen 80 winters, is one). The central injunction is to abjure puritanical notions of sin and damnation and to cultivate a respectful awareness that “all of Creation is sacred and holy.” (And that, Manitonquat insists, means all of Creation, from the stars up above to head lice, intestinal parasites and Osama bin Laden). Further instructions comprise a catalogue of virtues: honesty, humility, generosity and hospitality; a keen appreciation for beauty (vultures and maggots included); the courage to oppose injustice; a childlike curiosity and playfulness. The comforting—and challenging—message is that we can heal the wounds of modernity if we turn away from greed, materialism and arrogant self-importance, commune with the Earth and cultivate an intimate connectedness to each other. Manitonquat’s prose has a sonorous, liturgical tone and rhythm, but it’s shot through with passages of lyrical nature writing (“there is an endless song here, made of wind, cries of sea birds, and the incessant crumbling rollers of the Atlantic roughly caressing the level sands”), indigenous folk stories, child-rearing tips, discussions of hominid evolution and bawdy jokes. His is a soaring spiritual vision that nevertheless remains rooted in the soil of everyday experience.

A rapturous operating manual for the soul.

Pub Date: June 29, 2009

ISBN: 978-1-4389-8079-9

Page Count: 192

Publisher: AuthorHouse

Review Posted Online: Sept. 7, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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