by Mara Colecchia & illustrated by Jorgito Rodriguez & Andrea Parisi & developed by iStoryApps & Apps of All Nations ‧ RELEASE DATE: April 27, 2011
A few bells and whistles fail to make this app soar.
Bally meets up with three "real" dogs and through a series of events realizes that he’s different. Will he ever fit in?
Bally the “bright blue poodle” (clearly lavender on the iPad screen) is tethered to a string and held by the balloon seller in the park. As he floats high in the sky, a gust of wind gives him a lift and he manages to break free. Thus begins his attempt to keep up with three real canines. Bally tries to dive into a fountain but can only float on the surface. He tries to lift his leg on a tree but nothing comes out (though apparently he can pass gas). He tries to eat a hotdog and ends up catapulting it on top of a hedge none of them can reach. It’s only when he retrieves the wayward hotdog that he is fully accepted as “one of them.” There are elements to this app that kids will enjoy: feeding hotdogs to pups; dropping dogs into a fountain; recording personal narration. But by and large, it’s about as limp as a balloon that survived last week’s birthday party. The story is weak and inconsistent, the writing is undistinguished and the implicit “moral” leaves the impression that usefulness equals value.
A few bells and whistles fail to make this app soar. (iPad storybook app. 4-7)Pub Date: April 27, 2011
ISBN: N/A
Page Count: -
Publisher: Apps of All Nations
Review Posted Online: May 17, 2011
Kirkus Reviews Issue: June 15, 2011
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
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