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UNNATURAL SELECTION

CHOOSING BOYS OVER GIRLS, AND THE CONSEQUENCES OF A WORLD FULL OF MEN

A hard-hitting, eye-opening study that not only paints a dire future of a world without girls but traces the West’s role in propagating sex selection.

In her debut, Beijing-based Science correspondent Hvistendahl delves deeply into the causes of the vanishing of girls in Asia and Eastern Europe and looks beyond the traditional explanation of infanticide and abandonment. In fact, girls are simply not being born—demographers calculate that 163 million potential girls have been eliminated in Asia alone through ultrasound and abortion, the technological advancements of the West. A natural sex ratio at birth is 100 girls to 105 boys—nature compensates for the fact that more boys tend to die young due to dangerous behavior, wars, exhaustion, etc. Even a slight deviation from this natural balance toward boys can have enormous repercussions in a society, leaving a surplus of males unable to find mates, introducing instability, violence and the possibility of extinction. Astoundingly, the sex ratio in China is 121 boys to girls, in India 112. The skewed gender imbalance has also swept Vietnam, the Caucasus and the Balkans—all developing countries where the status of women is supposed to have improved as the countries got richer. Yet traditional beliefs—boys take care of their parents and the ancestral graves, girls need a large dowry for marriage and are a burden—are deeply ingrained in these societies, even still among Asian immigrants in America, whose sex ratio is also skewed toward boys. By the mid-1980s, the high-quality second trimester ultrasound arrived; despite laws passed proscribing its use in sex selection in China, India and elsewhere, doctors capitulated to patients’ needs—and money. Western doomsayers and scientists set up the alarm by the late 1960s about world overpopulation, and naively (or sinisterly, as the author hints) endorsed sex selection even then as an effective form of birth control, setting the groundwork for future crisis.

 

Pub Date: June 7, 2011

ISBN: 978-1-58648-850-5

Page Count: 336

Publisher: PublicAffairs

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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