An out-of-the-ordinary biography.
Artwork and layout reminiscent of 19th-century posters and paper dolls tell the true tale of magician Adelaide Herrmann, once known as the Queen of Magic.
“Addie never wanted to be ordinary,” states the first double-page spread, in which a little redheaded white girl in a bright orange dress and white petticoat flaunts her hoop and stick against a background of somber, sepia-toned family members. A mustachioed man, outlined so as to look like a cutout from a piece of cardboard, is clicking his cumbersome camera at the group. The next spread shows dreamy, flame-haired Addie surrounded by circus characters, and decorative text on a marching-band-member’s drum says, “Addie wanted to astonish, shock, and dazzle.” As the story progresses, Addie moves from being a prima ballerina to boldly riding a “boneshaker” (bicycle) to marrying her dream man: famous magician Alexander Herrmann. The text asserts that “Alexander was no ordinary husband. He set fire to Addie. He chopped off her head….The two of them got along splendidly.” The art makes the piece much more than simply a humorous biography of a spunky woman artist; readers get a taste of elite and artistic lives during Addie’s lifetime. Addie’s willingness to perform the feared-and-revered bullet-catching trick to retain popularity after Alex’s death is a perfect way to end the entertaining, true story.
An out-of-the-ordinary biography. (biographical research notes) (Picture book/biography. 5-9)Pub Date: April 12, 2016
ISBN: 978-0-7636-6841-9
Page Count: 48
Publisher: Candlewick
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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