An intriguing examination of the inside story of one of New York City’s most important and beloved monuments.
A son tells of his mother’s new job cutting stone for “Big John,” New York City’s yet-unfinished Cathedral of St. John the Divine.
He focuses his mother’s experiences at the cathedral through his own lens: She comes home covered in gray dust after daily labor on a single stone. Is his mother’s work like an artist’s, whose pictures hang in the museum? When the family visits Big John’s stone yard and soaring interiors, he understands that her contribution—painstakingly crafted, yet so small—will take its place “high above the people, Momma’s stone touching the sky.” Drawing from historical details about a 25-year apprenticeship program begun in 1982, Rockliff’s lyrical text celebrates collaboration and communion, whether as voices rising in a cathedral hymn or among the skilled workers who labored over more than a century. Low (Old Penn Station, 2007) renders many gorgeous digital spreads, articulating the extraordinary light and deep shadows within and outside the architecturally splendid cathedral. Combining the look of thick, fuzzy-edged pastel on paper with gouache on textured board, the illustrations are less successful in the figurative depictions. Awkwardly drawn shoes, feet and legs, along with some variation in the appearance of the daughter, are minor distractions from the overall strong visual appeal.
An intriguing examination of the inside story of one of New York City’s most important and beloved monuments. (author’s note) (Picture book. 4-8)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-4359-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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