Young readers will find much food for thought in this inspiring profile of a lesser-known civil rights leader.
Georgia Gilmore was just an ordinary person when she fed and funded the Montgomery Bus Boycott.
“Georgia was cooking when she heard the news,” the story begins. The year is 1955, and civil rights activist Rosa Parks has just been arrested for refusing to give up her seat to a White man on a bus. Gilmore had spent her entire life in Montgomery, Alabama, and was no stranger to segregation. Having had her own brush with a racist bus driver, she knew the pain of being treated unjustly. Georgia springs into action, joining her neighbors as they march through the streets in mass protest against the Montgomery bus system. Georgia begins selling pastries and dinners, including her famous crispy chicken sandwiches, keeping the people fed during Dr. Martin Luther King’s church meetings. She then organizes a secret group of friends, dubbed the Club From Nowhere, to help her continue the venture. They use the money they make to support the boycott, which ultimately ends when a Supreme Court ruling makes segregation on public buses unconstitutional. Despite the hardships she experienced, Georgia persevered, eventually opening her own restaurant, which became a hub for Black community organizing. Christie’s vivid acrylic paintings propel the narrative with a fine balance of pathos and power. The straightforward text uses food as an extended metaphor to underscore Georgia’s tenacity and African American people’s hunger for equality and justice.
Young readers will find much food for thought in this inspiring profile of a lesser-known civil rights leader. (notes, author’s note, sources) (Picture book biography. 5-9)Pub Date: Jan. 11, 2022
ISBN: 978-1-5247-2064-3
Page Count: 40
Publisher: Random House Studio
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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