by Marc Corwin ‧ RELEASE DATE: N/A
A campy but engrossing adventure.
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Corwin tells the story of a soldier and his powerful invention in this debut sci-fi novel.
Cmdr. Jason Cody wakes up a prisoner of a terrifying alien enemy, his body dismembered by days of torture and experimentation. His fellow prisoner is a lieutenant, Cat, a woman he’s never met before and whose perfect beauty engenders reflexive suspicion: “It’s almost as if they drilled down into his cerebellum and extracted a virtual woman befitting his every exacting requirement.” However, they have no other choice but to trust each other. Cat manages to spring them from their prison, and Cody restores his body in the regenerative “pus” of their alien captors. It not only regrows his limbs, but also gives him enhanced strength and senses. As he and Cat swap information, he realizes that the team of scientists she was sent to save—the reason for her presence on the remote, dangerous planet of Vixus—didn’t include Cody at all. It turns out that he went missing 100 years earlier after disappearing into a wormhole with his incredible Optical Lasso, an invention that allows its user to see into both the past and future. The story contains two timelines: one set in Cody’s past in the 21st century and the other in his present in the 22nd. Corwin’s narrative voice is snappy and confident, if overly fond of wordplay (a chapter in which Cat battles an alien’s tongue, for example, is titled “Watch Your Tongue, Young Lady”). The structure and tone of the novel brings to mind golden age serialized sci-fi stories, and in staccato chapters, it skips forward one pressurized scene at a time. Cody even speaks in the stylized, expositional manner of a pulp hero: “What’s that noise? Sounds like chains slowly being recoiled by a mechanical device. No—the chains are hooked inside my back!” The characters don’t have much depth, and nothing about the way they speak or act is natural. However, the story’s quick cuts and ever complicating plotline will keep readers entertained.
A campy but engrossing adventure.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Nov. 27, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Prize
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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