A disturbing look at the problems facing contemporary Germany after the fall of the Berlin Wall. The former Bonn and Berlin bureau chief for the Washington Post has combined a journalist's accessibility with a historian's attention to context in his portrait of Germany since 1989. Supplementing personal interviews with historical flashbacks, the book demolishes the common perception of Germany as a well-ordered, prosperous, and stable nation at peace with its horrendous past. Fisher uses the wall as a metaphor to analyze the contrasts between east and west Germany, between the Germans and others, and between the Germans and their history. Readers will be shocked to discover the level of regimentation and restriction that penetrate every level of German society and alarmed to realize that the Turk and the Gypsy have replaced the Jew as the ``Other'' in the national psyche. Perhaps more than any other nationality, Germans are burdened by their history: The wall fell on November 9, 1989, the 51st anniversary of Kristallnacht. Yet the author shows that for all the history that appears on the surface, Germans have not yet managed to ``work through'' the recent past. As much as the Germans might ``lust for normalcy,'' the unavoidable reality is that National Socialism and the Holocaust remain central to our conception of Germans and their conception of themselves. An ugly portrait emerges from Fisher's work. When a professor in Berlin admits, in 1994, ``We will even accept injustice before lack of order in our private lives or in public,'' the reader understands that this is not an abstract, theoretical critique of German society, but a common sentiment voiced in different ways throughout the country. Fisher's thought-provoking examination demands of us a more sober, less idealistic assessment of German society and culture after unification.
Pub Date: June 1, 1995
ISBN: 0-684-80291-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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