Timely, controversial, and bound to stir already heated discussion.
An impassioned analysis of headline-making cases of police shootings and other acts of “state violence” against blacks and other minorities.
Journalist and BET News host Hill (African-American Studies/Morehouse Coll.; co-author: Schooling Hip-hop: Expanding Hip-hop Based Education Across the Curriculum, 2013, etc.) argues that the deaths of Michael Brown, Sandra Bland, Freddie Gray and others are instances of “an increasingly intense war on the vulnerable.” The victims—“Nobodies”—are “Black, poor, trans, queer, or otherwise marked as disposable within the public imagination.” America’s obsession with “free market logic and culture” has devalued the public good and inspired policies that wreak havoc on the vulnerable. For example, the “broken windows” concept of policing, which encourages enforcement of laws against minor crimes, sometimes overcriminalizes harmless rule-breaking. During one such “quality of life” arrest for selling loose cigarettes, Eric Garner, an asthmatic New Yorker, who had been selling “loosies” on the street for years without police interference, was placed in a choke hold and died while repeatedly crying, “I can’t breathe.” In recounting the stories of such incidents, Hill offers valuable perspective and much to ponder: Bland, a young Texas driver who apparently failed to signal and had been impertinent to police before her arrest, was found hanging dead in her jail cell. Deemed a suicide, she had much to live for. Brown, fleeing from a convenience store robbery, was shot dead in the back in Ferguson, Missouri. He was hardly innocent, notes Hill, but “one should not need to be innocent to avoid execution.” By the same token, the behavior of Walter Scott, a South Carolina motorist who resisted arrest and fled after being stopped for a broken taillight, did not warrant death by “excessive force.” Hill’s incisive thumbnail histories of the decaying communities of Ferguson and Flint, Michigan, where government actions led to a water crisis, lend credence to his sometimes-strident insistence that societal forces are stacked against our weakest members.
Timely, controversial, and bound to stir already heated discussion.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-2494-5
Page Count: 288
Publisher: Atria
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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SEEN & HEARD
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