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LIFECAST

A clever and cutting fantasy that takes modern society to task for its corruption.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2022

Teen lovers battle against the economic caste system that separates them in this debut dystopian YA novel.

In The City, Noble Valet Bear is 19 years old and works for the Telladyne family. Bertram Telladyne’s pharmaceutical company provides drugs to citizens who have been neurologically enhanced with cerebral “Neurogems” and wrist “docks” for the injections. People in The City’s wealthy Highland are virtually connected and perpetually distracted. Their primary thrill in life is following the Idol, a young woman who is, according to announcer Dahlia Delachort, “our mirror, our voice, and our emissary to the future.” When Idol Vox Aslanian dies tragically, a new emissary must be chosen. The competition is held among Young Ladies from the Noble families. Among them is Lady Aleks Yukita, whom Bear has known since he was a Valet-in-training as a boy with her family. Bear adores Aleks because she is curious, passionate, and empathetic—traits the Idols tend not to possess. Aleks secretly spends time with Bear, originally a lowlander, as friends, and one night they sneak into the Monarch Estate’s archives, a trove of objects from the past. After the daring escapade, the two share their first kiss. They’ve also stolen film reels, which they’ll need help from citizens of the dangerous lowland to play. As the Idol competition heats up, Bear makes a new ally in Young Lady Marena Vexhall, who isn’t what she seems. She says that “Aleks doesn’t deserve to be the Idol. None of us do.” The sinister nature of the Idol slowly unfolds, and Bear wonders if escape from The City is possible.

Opsal’s series opener skewers today’s shallow, capitalist society by pointing to the dystopia on the horizon. While smaller in scale than the Panem of Suzanne Collins’ Hunger Games series, The City features superb worldbuilding that will rattle modern audiences. The LifeCast technology, for example, puts users in the Idol’s viewpoint, which the vapid may find entertaining, at least until “you plummet straight down” after jumping from a building ledge, as Vox did. Another captivating element is the NApp personal downloads, augmented reality tutorials that take individuals through activities such as walking, cooking, and dancing. This is a fun yet terrifying exploration of technology catering to people’s desire to split their attention into ever smaller pieces. The casual deadliness of the class divide is revealed when Bear must drive Bertram through the advertisement-saturated lowlands. The car is armored against fire from “radicals,” and cinematic prose has Bear “pop the BT-27 into reverse and drive backward down the highway while thin, pink slices of meat cascade down the tunnel walls.” Fans of reality TV will recognize characters like Chef Casper Fiori—a play on Guy Fieri—who has “bright orange hair” and an “aggressive handshake.” Even more biting is Young Lady Kallista Telladyne’s idea for a LifeCast in which 10 lowlanders receive makeovers and go “from garbage to glam.” Immersed in such a cringe-inducing backdrop, readers will root for outcasts like Bear and Aleks to tear it all down. Frequent twists complicate the heroes’ journey and will leave readers enthralled and eager for the sequel.

A clever and cutting fantasy that takes modern society to task for its corruption.

Pub Date: Feb. 2, 2022

ISBN: 978-1-73554-951-4

Page Count: 392

Publisher: Goldshif Publishing

Review Posted Online: June 8, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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