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DEATH VOTES LAST

A JEFF TRASK CRIME DRAMA

A rousing, standout series entry.

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In Rainer’s (A Winter of Wolves, 2016, etc.) fifth thriller featuring federal prosecutor Jeff Trask, a U.S. senator’s suspicious death may very well be a political assassination.

Trask knows the man on the medical examiner’s table in Washington, D.C. He’s an old friend, Sherwin Graves, now a Republican U.S. senator for Georgia, who died when his car ran off the road. There was a bottle of Rohypnol pills in his pocket, which could indicate that he’d been suicidal. His prints are on the bottle, too—but the fact that someone had recently wiped it with a solvent is enough for Trask to suspect murder. A political motive is a possibility: with the U.S. Senate currently split down the middle, one fewer Republican would give the Democrats an edge. Trask, working with Detective Dixon Carter and others, ties two more deaths to the senator before bringing charges against those that he believes to be responsible. At trial, though, Trask faces his share of snags, such as having his boss, Bradley Mantee, who has no courtroom experience, as his second chair. Also, someone’s trying to ensure that a key witness doesn’t make it to the stand, which puts Trask, as a potential obstacle, in peril. Although the protagonist, a “former military guy,” has spent preceding books largely engaged in action scenes, this story places him firmly back in the courtroom. It’s a welcome return, as he shines during jury selection (what he calls “juror elimination”) or while dealing with a judge tossing pertinent evidence. The bad guys are corrupt but still human; the senator’s death, for example, stems from a plan that’s rife with blunders. There are a few other notable supporting characters, including Trask’s FBI analyst wife, Lynn, but the mystery plot remains the true focus. Along the way, Rainer adds charming touches, such as plot-relevant tunes: the Rolling Stones’ 1966 song “Paint it Black” is on the radio at the morgue, and a cynical Trask gets Aerosmith’s 2000 song “Jaded” in his head.

A rousing, standout series entry.

Pub Date: Nov. 8, 2017

ISBN: 978-1-61984-849-8

Page Count: 372

Publisher: Gatekeeper Press

Review Posted Online: Dec. 11, 2017

Kirkus Reviews Issue: Feb. 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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