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DEATH VOTES LAST

A JEFF TRASK CRIME DRAMA

A rousing, standout series entry.

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In Rainer’s (A Winter of Wolves, 2016, etc.) fifth thriller featuring federal prosecutor Jeff Trask, a U.S. senator’s suspicious death may very well be a political assassination.

Trask knows the man on the medical examiner’s table in Washington, D.C. He’s an old friend, Sherwin Graves, now a Republican U.S. senator for Georgia, who died when his car ran off the road. There was a bottle of Rohypnol pills in his pocket, which could indicate that he’d been suicidal. His prints are on the bottle, too—but the fact that someone had recently wiped it with a solvent is enough for Trask to suspect murder. A political motive is a possibility: with the U.S. Senate currently split down the middle, one fewer Republican would give the Democrats an edge. Trask, working with Detective Dixon Carter and others, ties two more deaths to the senator before bringing charges against those that he believes to be responsible. At trial, though, Trask faces his share of snags, such as having his boss, Bradley Mantee, who has no courtroom experience, as his second chair. Also, someone’s trying to ensure that a key witness doesn’t make it to the stand, which puts Trask, as a potential obstacle, in peril. Although the protagonist, a “former military guy,” has spent preceding books largely engaged in action scenes, this story places him firmly back in the courtroom. It’s a welcome return, as he shines during jury selection (what he calls “juror elimination”) or while dealing with a judge tossing pertinent evidence. The bad guys are corrupt but still human; the senator’s death, for example, stems from a plan that’s rife with blunders. There are a few other notable supporting characters, including Trask’s FBI analyst wife, Lynn, but the mystery plot remains the true focus. Along the way, Rainer adds charming touches, such as plot-relevant tunes: the Rolling Stones’ 1966 song “Paint it Black” is on the radio at the morgue, and a cynical Trask gets Aerosmith’s 2000 song “Jaded” in his head.

A rousing, standout series entry.

Pub Date: Nov. 8, 2017

ISBN: 978-1-61984-849-8

Page Count: 372

Publisher: Gatekeeper Press

Review Posted Online: Dec. 11, 2017

Kirkus Reviews Issue: Feb. 1, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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