The persistently entertaining lawyer leads a superb batch of characters and subplots.
A Washington, D.C., attorney packs his bags for Kansas City, where he takes on drug-dealing mobsters, in this thriller.
After years in Washington, Jeff Trask requests a transfer to the Kansas City U.S. Attorney’s office, where his lawyer friend Cameron Turner works. One of Trask’s first moves as senior litigation counsel is to indict 60 individuals on drug-related charges. But trouble is already brewing within the Kansas City Mafia. Readers know that “Little Dom” Silvestri and his goons the Gonzalez brothers have whacked John Porcello, convinced that he was a rat. Not only was that an unsanctioned hit, but the trio also killed John’s wife, Margie, who was the sister of the local don, Anthony Minelli. Complicating matters are Little Dom’s defiance of mob policy by pushing heroin and an unknown shooter later assassinating the Gonzalezes. Meanwhile, Trask, as expected, has made it to trial with only one of the 60 indictments. But the fallout of Little Dom’s actions ultimately generates evidence that the attorney may be able to use against the Mafia. And the blatant threat of someone firing two slugs into his house isn’t enough to dissuade the resolved Trask. The recurring protagonist has already tackled Herculean tasks, such as a political assassination and Islamic terrorists, in five crime dramas. So while mobsters are no more menacing than past villains, Rainer’s (Death Votes Last, 2017, etc.) change of scenery gives the character a breath of fresh air. Furthermore, the author, as in preceding novels, excels at fully developing a bevy of characters for this first installment of The Kansas City Files. The bad guys in this tale, including Little Dom’s mob-tied father, Big Dom, are just as enthralling as the virtuous players, particularly Trask’s wife, Lynn. The story thrives on the attorney’s legal fisticuffs, relayed via dialogue-laden scenes. Secondary plotlines nevertheless shine, from one of Trask and Lynn’s beloved dogs facing a serious medical condition to the protagonist identifying a potential drug courier during a flight.
The persistently entertaining lawyer leads a superb batch of characters and subplots.Pub Date: March 13, 2019
ISBN: 978-1-64237-582-4
Page Count: 456
Publisher: Gatekeeper Press
Review Posted Online: April 30, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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