by Marc Wortman ‧ RELEASE DATE: April 5, 2016
An engaging and well-researched look behind the scenes of an important historic era. Highly recommended.
A wide-ranging examination of America’s entry into World War II as the Franklin Roosevelt administration juggled the demands of an isolationist Congress and voices urging early intervention.
Historian Wortman (The Bonfire: The Siege and Burning of Atlanta, 2009, etc.) sets the stage with two writers observing Hitler’s 1939 invasion of Poland, the spark that ignited the European phase of the war. William Shirer, the CBS radio correspondent in Berlin, was already appalled by Nazi oppression; the other, Phillip Johnson, was among the strongest American advocates of fascism. These two represent the two faces of American reaction to the war: conviction that the U.S. would inevitably be drawn into the war and determination to avoid involvement. Wortman expands the scope of the narrative to give a good account of both viewpoints. Isolationists ran the gamut from Theodore Roosevelt Jr., who felt America should fight only in self-defense, to Charles Lindbergh, whose anti-Semitism was at least as important a factor as his belief that Germany was invincible. Meanwhile, Winston Churchill, newly elevated to prime minister, lobbied incessantly for American aid to beleaguered Britain. Germany, Japan, and Italy, convinced that America would eventually take a side, played diplomacy and espionage for all they were worth. Wortman puts all this in the context of the events in Europe and the Pacific that pressured Roosevelt to commit the country to action, including submarine attacks on Atlantic convoys and Japanese aggression in mainland Asia. Plenty of interesting characters, including Roosevelt aide Harry Hopkins and Japanese spy Takeo Yoshikawa, add spice to the story. The author displays a nice sense of the dramatic scene and a solid ear for telling quotes, and ample documentation gives readers the opportunity to look further into the history. Even readers familiar with the broad history of the era are likely to find new insights and new details of the behind-the-scenes maneuvering that preceded Pearl Harbor.
An engaging and well-researched look behind the scenes of an important historic era. Highly recommended.Pub Date: April 5, 2016
ISBN: 978-0-8021-2511-8
Page Count: 416
Publisher: Atlantic Monthly
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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