Next book

THE SKIN ABOVE MY KNEE

The light and the dark fight it out in this fierce, fiery memoir.

Can music save a person’s life?

For professional oboist Butler, the answer is yes. Her brutally honest memoir recounts the life of a woman who was able to overcome devastating emotional and physical pain, sometimes self-inflicted, thanks to the music she loved and performed. Her father was a creepy and violent man who once smashed her sister’s face with a brutal punch. He haunts this book, while the author’s mother comes across as weak, quiet, and passive in the background. There seemed to be little love in the household. However, there was music, and Butler grabbed on to it like a life raft. As a 4-year-old, she was mesmerized by Richard Wagner’s Tristan und Isolde and singer Kirsten Flagstad. Butler picked up the flute in fourth grade and later, when her music teacher asked for a volunteer to play a new instrument, she took on the oboe. The music and hours of practice were always there for her when her parents weren’t. The book proceeds chronologically, with many italicized chapters interspersed. These are mainly about music and performing and her favorite composers, and they’re a welcome respite from the pain of her personal story. Eventually, Butler got into a conservatory in New York City and worked odd jobs to survive. Her low self-esteem and unrelenting search for a new father figure led to a failed marriage, abusive boyfriends, drugs, and even a suicide attempt. But there was always the music, and she writes lovingly and beautifully about it. She tells us about making reeds for her oboe, why many conductors aren’t worth their salt, how difficult and “glorious” it is to work as a freelance musician with great composers (André Watts, Keith Jarrett), and the utter joy of performing Bach’s St. Matthew Passion, which “tests the endurance of all oboists.”

The light and the dark fight it out in this fierce, fiery memoir.

Pub Date: Feb. 21, 2017

ISBN: 978-0-316-39228-0

Page Count: 272

Publisher: Little, Brown

Review Posted Online: Nov. 14, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

Close Quickview