Beneath a huge full moon, the hunchbacked flute player Kokopelli steps down from a petroglyph and dances across an atmospherically lit desert, drawing Coyote, Rattler, and other creatures to dance along behind. His compelling music swirls out to catch human children from the pueblo too: “Kokopelli spins with a step and a hop. / Whirling and twirling to the mesa top. / Cacti sway. Shadows play. / Dancers dance the night away.” Vaughan (We’re Going on a Ghost Hunt, not reviewed, etc.) envisions Kokopelli, who figures in the mythology of the Hopi, Zuni, and Pueblo people, as the “pied piper of the Rio Grande.” Desimini’s magical, moonlit scene has him capering across a suitably timeless, mysterious setting, then lets him and his music drift away on the morning wind with the promise that “when the moon shines bright, I’ll dance again.” A haunting introduction to this eldritch musician for younger children, and a good prelude for older ones to Malotki’s Kokopelli: The Making of an Icon (2000) (afterword) (Picture book. 6-8)
Pub Date: Oct. 1, 2002
ISBN: 0-439-35248-7
Page Count: 32
Publisher: Orchard/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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