Comical and clever in spots but overall, a sad follow-up to Mystery on Museum Mile (2014).
A free trip to the Yucatán pitches Edmund, a young artist/sleuth with a photographic memory, and his OCD pal Jonah into a new investigation involving an unsolved old crime and disappearing gold.
Edmund opens his account sitting in a jail cell, clad in a wet Darth Vader costume, covered in scratches, blood and barf (“I smell awesome”), his wrist in a cast—and really not looking forward to calling his parents. Following this magnificent lead-in, though, the tale goes downhill rapidly, from the disappearance of an ancient gold mask to the climactic struggle with a knife-wielding thief atop a rain-swept Mayan ruin. In between, Wells concocts a nonsensically contrived caper involving Hebrew orthography, poorly integrated “evidence” from false fingerprints to glimpses of the bad guy dressed as a museum guard, and an obvious, no-brainer clue to where the gold is hidden that has somehow gone misunderstood for decades. Moreover, even less-reflective readers will wonder how Edmund and Jonah can break into an apartment and bend various other laws in the course of their investigation without suffering any legal consequences. Along the way, Jonah’s practice of smearing a gift-store Mayan effigy with peanut-butter and blood “sacrifices” comes off more like cultural mockery than harmless fooling. Calo’s accomplished drawings bring characters and details to life but are both rare and, sometimes, too finished to believably represent Edmund’s quick sketches.
Comical and clever in spots but overall, a sad follow-up to Mystery on Museum Mile (2014). (appendix of Mayan gods) (Mystery. 9-11)Pub Date: April 7, 2015
ISBN: 978-0-544-30206-8
Page Count: 224
Publisher: HMH Books
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
A waggish tale with a serious (and timely) theme.
An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.
Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.
A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)Pub Date: April 1, 2019
ISBN: 978-0-316-41156-1
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Epic—in plot, not length—and as wise and wonderful as Gerald Morris’ Arthurian exploits.
Who needs dragons when there are Terrible Lizards to be fought?
Having recklessly boasted to King Arthur and the court that he’d slain 40 dragons, Sir Erec can hardly refuse when Merlin offers him more challenging foes…and so it is that in no time (so to speak), Erec, with bookish Sir Hector, the silent and enigmatic Black Knight, and blustering Sir Bors with his thin but doughty squire, Mel, in tow, are hewing away at fearsome creatures sporting natural armor and weapons every bit as effective as knightly ones. Happily, while all the glorious mashing and bashing leads to awesome feats aplenty—who would suspect that a ravening T. Rex could be decked by a well-placed punch to the jaw?—when the dust settles neither bloodshed nor permanent injury has been dealt to either side. Better yet, not even the stunning revelation that two of the Three Stooges–style bumblers aren’t what they seem (“Anyone else here a girl?”) keeps the questers from developing into a well-knit team capable of repeatedly saving one another’s bacon. Phelan endows the all-white human cast with finely drawn, eloquently expressive faces but otherwise works in a loose, movement-filled style, pitting his clanking crew against an almost nonstop onslaught of toothy monsters in a monochrome mix of single scenes and occasional wordless sequential panels.
Epic—in plot, not length—and as wise and wonderful as Gerald Morris’ Arthurian exploits. (Graphic/fantasy hybrid. 9-11)Pub Date: Oct. 23, 2018
ISBN: 978-0-06-268623-7
Page Count: 160
Publisher: Greenwillow Books
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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