A raucous, anguished, fast-paced story, tautly written and deeply rooted.
Award-winning Cuban writer and architect Gala links the fate of a community with the doomed construction of a cathedral in this dark, violent, often comic novel, his first to be translated into English.
The Stuart family's arrival in a rough part of Cienfuegos, Cuba, sparks the neighbors' interest: "If you're born black, you're already screwed; imagine if, in addition, you have to live in the squalid rooming houses of a neighborhood like this." Graffiti here in Punta Gotica reads "NO ONE GETS OUT OF THIS NEIGHBORHOOD ALIVE." The two Stuart sons are smart but odd, the beautiful daughter artistic. Their father, a religious zealot, is obsessed with building a cathedral. The architect hired to design it dreams of the city of the future, viewed from the back of an angel: "I saw the Cienfuegos of the future, a beautiful city, full of elegant buildings...the celestial Jerusalem." Events don't unfold that way, to say the least. Later the architect comes to believe "that it was called the Black Cathedral for those with darkness in their hearts." Told by a shifting, overlapping multitude of voices, the novel explores the interconnected lives of the local characters: kids, petty criminals, politicians, artists and writers, ghosts of people murdered by a serial killer, and the killer as well, speaking from death row. Though some move abroad, all find themselves affected by the violence and desperation of Punta Gotica and by its strange, unfinished building. As Arturo Stuart labors over "the first cathedral that is truly for and by the meek," one of his sons is initiated into the Cuban religion Palo, and the other finds work at a Russian mobster's brothel. The two sons eventually commit a terrible crime together (though worse crimes have already been done by an African Cuban character nicknamed Gringo). A retired principal of the Cienfuegos school laments of his former pupils, "They practically all turned out bad. Even the good ones aren't like we expected. I would call them the Black Cathedral generation." Trying to make sense of the Stuart boys' crime, one character says, "They were children, wicked children like all of us, children without a childhood."
A raucous, anguished, fast-paced story, tautly written and deeply rooted.Pub Date: Jan. 7, 2020
ISBN: 978-0-374-11801-3
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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