A cleareyed and impassioned plea for a just world.
Revising the meaning and goals of feminism.
Bianco, a cultural critic and editor at the Stanford Social Innovation Review, makes her book debut with a bold and compelling critique of feminism’s focus on equality. Describing herself as “a capital-A, capital-F Angry Feminist,” the author asserts that women have been duped into believing “a myth perpetuated to coax women into complicity with their oppression.” What have been identified as political, economic, or social inequalities, she claims, “are nothing but the measured effects of the discrimination of difference in relation to the white supremacist cis-heteropatriarchy.” The term equality, she contends, is unclear, with different meanings for men and women, for those with power and those without. Rather than adopt a politics that aims for attainment of the same rights, privileges, and power as white men, Bianco proposes that feminists aim to dismantle these patriarchal institutions and engage in embracing freedom. Freedom of body, mind, and movement, she asserts, involves “an ongoing process of self-creation and world-building rooted in accountability and care.” Accountability, which she sees as “the critical difference between white freedom and feminist freedom,” is central to her argument. Feminism must become “an ethics from which a politics emerges,” a value system grounded in respect, integrity, and collective well-being. Bianco draws on feminist scholars and critics—Simone de Beauvoir, bell hooks, Audre Lorde, and Barbara Johnson, to name a few—as well as her own experiences as a 40-something Harvard-educated white woman, lesbian, and athlete to discuss salient issues for women’s lives, such as abortion, gender, sexuality, queer identity, race, capitalism, and assisted death. Practicing freedom, she writes, can counter the “equality mindset” that posits a “hierarchical opposition of man above woman” and instead “can create a world that values the dignity, belonging, and joy of all people.”
A cleareyed and impassioned plea for a just world.Pub Date: Sept. 5, 2023
ISBN: 9781541702424
Page Count: 336
Publisher: PublicAffairs
Review Posted Online: June 15, 2023
Kirkus Reviews Issue: July 15, 2023
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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