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WHERE THEY LAST SAW HER

Rendon’s book will break your heart, but it will also inspire and inform.

A young Native American woman confronts pervasive violence, standing up for others who might be dismissed or forgotten.

Quill is running near her home on Minnesota’s Red Pine reservation when she hears a scream—and then silence. Spooked, she brings her husband, Crow, to help examine the area the next day, finding signs of a scuffle and a single beaded earring left behind in the snow. The tribal cops search the forest to no avail. So Quill and her two best friends, Punk and Gaylyn, use their community ties to investigate because they know the truth: “There are between two thousand and five thousand missing and murdered Indian women in this country. Nobody gives a shit.” This novel is Rendon’s way of bringing attention to these often ignored stories. The ravages of racist governmental policies, poverty, and addiction, along with the lawless nature of the camps for men working on the pipelines near the reservation, create a perfect storm of violence. A woman is drugged and nearly kidnapped at a local casino; her cousin is kidnapped, then escapes. When a young girl is abducted from a Walmart bathroom then found murdered, Quill and her friends can no longer stand by in silence. Through it all, they run, finding it a way to quiet the anxiety, the frustration, the anger of being treated by the larger world like they don’t count. Quill is a charismatic character, strong and fierce in both her independence and her love for her husband, children, and community, willing to risk herself to keep others safe. This novel is written in protest of the epidemic of missing Indigenous women and centuries of painful history: “We have lived with losing loved ones for century after century.” But it also lifts up the healing power of female friendship, motherhood, and generational knowledge: “And we still have babies and keep loving.”

Rendon’s book will break your heart, but it will also inspire and inform.

Pub Date: Sept. 3, 2024

ISBN: 9780593496527

Page Count: 336

Publisher: Bantam

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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