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THE MUSIC OF THE PRIMES

SEARCHING TO SOLVE THE GREATEST MYSTERY IN MATHEMASTICS

A must for math buffs.

A Royal Society research fellow takes the Riemann Hypothesis, reputedly the most difficult of all math problems, as the focus for his lively history of number theory.

Du Sautoy (Mathematics/Oxford) begins in 1900 with German mathematician David Hilbert's famous address to the International Congress of Mathematicians in Paris, where Hilbert offered 23 unsolved problems as challenges to his colleagues. Among them was the Reimann Hypothesis, which concerns the distribution of prime numbers; it is the only one still unsolved. Greek mathematicians knew that the primes are infinite in number and distributed randomly in the set of natural numbers. Two centuries ago, Carl Friedrich Gauss offered a formula to estimate how many primes lie below any given number; in 1859, Gauss's student, Bernhard Riemann, refined that estimate, based on the incredibly complex Zeta function, but died without proving his hypothesis. With a minimum of equations and mathematical symbols, du Sautoy outlines the progress each succeeding generation has made on the problem. Along the way, readers meet G.H. Hardy and J.E. Littlewood, the twin beacons of the Cambridge math department between the world wars; Ramanujan, the self-taught Indian clerk who claimed that his ideas were given to him by his family goddess; and Atle Selberg, who survived the Nazi occupation of Norway to become a leading light at Princeton's Institute for Advanced Studies. Alan Turing, the father of modern computers, tried to devise a program to attack the Riemann Hypothesis; now the primes are the key to cryptography. A Boston businessman has offered a million-dollar reward for a proof, although few mathematicians seem to need additional incentive to tackle the Everest of mathematical problems. Du Sautoy keeps the story moving and gives a clear sense of the way number theory is played in his accessible text. (See Karl Sabbagh’s The Riemann Hypothesis, p. 369, which covers similar territory but spotlights current mathematicians searching for a Riemann proof.)

A must for math buffs.

Pub Date: May 1, 2003

ISBN: 0-06-621070-4

Page Count: 336

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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