An effective biographical portrait that will serve well until Lamar writes his own retrospective.
The first book-length treatment of one of the decade’s most successful artists.
In July 2020, Kendrick Lamar achieved new headlines when it was announced that his 2012 album, good kid, m.A.A.d city, became the longest-charting hip-hop album in U.S. history, amassing over 400 weeks on the Billboard 200 album chart. That record crowned the Compton poet as fresh royalty in the hip-hop scene, which was further underscored by a fiery, confrontational verse on Big Sean’s “Control.” In 2015, Lamar released To Pimp a Butterfly, which struck a chord with a new generation of Black activists reveling in the international consciousness of Black struggle. Following the buzz surrounding Butterfly, Lamar was pushing into territory where only the timeless emcees live. In his first book, Brooklyn-based music journalist and cultural commentator Moore, who has written for the Nation, Entertainment Weekly, and the Atlantic, among other publications, shows that he’s been around the block, pulling together hundreds of sources from interviews and headlines over the years. He convincingly shows his subject’s transition from his first moniker, K-Dot, to Kendrick Lamar, as well as the development of the now-powerhouse label Top Dawg Entertainment. Early on, writes the author, “he rapped under the name K-Dot, his fire-spitting alter ego. K-Dot wasn’t about uplifting communities; he wanted to decimate everything in sight. The young man had all the technical prowess, the complex sentence structures, and the natural cadence, but he didn’t sound free.” Additionally, the author offers an insightful history of place, a narrative element that must inform any deep reading of hip-hop culture. Throughout his career, Lamar has set an impossibly high standard of confessional intimacy and passionate storytelling (his most recent album, DAMN., won a Pulitzer). In this solid introduction, Moore uses a more general approach, a wise strategy since fans already know that Lamar is the most reliable narrator of his own story. One of Kirkus and Rolling Stone’s Best Music Books of 2020.
An effective biographical portrait that will serve well until Lamar writes his own retrospective.Pub Date: Oct. 13, 2020
ISBN: 978-1-982107-58-1
Page Count: 288
Publisher: Atria
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
PERSPECTIVES
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