Readers may root for the bad guys.
A financially strapped yuppie couple in Chicago stumbles on a big pile of cash and makes as many wrong decisions as possible while being chased by murderous thugs.
Tom and Anna Reed are the unsatisfied landlords living beyond their means in the latest from Sakey (At The City’s Edge, 2008, etc.). Exhausted, embittered and nearly broke from their hideously expensive efforts to conceive a child, the Reeds are desperate for a break. Responding to a smoke alarm shrieking in the downstairs tenant’s apartment of their overpriced two-flat, they find their creepy renter dead and nearly $400,000 in cash in his flour bin. The stash once belonged to an unnamed movie star with a world-famous smile who, while in the city to make a film, sought to buy a load of the latest and liveliest drugs, only to have both money and pharmaceuticals snatched from under his famous nose in the middle of the transaction by a gang of mostly hardened criminals, including the late tenant. The Reeds, acting on the same cinematic imperative that sends teenaged babysitters to check on that noise in the basement, decide to keep the money to rebuild their credit and their child-deprived lives. Anna takes a day off from work to pay the credit-card bills, and the newly rich couple enjoy a night out and some hot sex. Of course the dead guy’s chums come around looking for their hard-earned money; the ripped-off drug dealer wants his product back; and a hard-luck police detective starts finding holes in the Reeds' story. Recognizing immediately that they are up against ruthless criminals and determined policemen, do the Reeds cut their losses, fess up and go back to work, sadder but safer? Of course not. They’ve had a taste of life without debt, and it’s enough to encourage these “good people” to try to outfox the utterly ruthless villains who systematically destroy everything they own and promise to make mincemeat of the hapless ninnies.
Readers may root for the bad guys.Pub Date: Aug. 14, 2008
ISBN: 978-0-525-95084-4
Page Count: 336
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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